Bauhaus Australia: Transforming Education in Art, Architecture and Design. This project aims to examine the influence of Bauhaus-inspired émigrés on Australian cultural life. An under-examined but profound influence on Australian cultural history was the forced migration of émigré and refugee modernists from Germany and central Europe, who transformed art, architectural and design education from the 1930s to the 1970s. German and central European training, inspired by the Bauhaus, centred on sys ....Bauhaus Australia: Transforming Education in Art, Architecture and Design. This project aims to examine the influence of Bauhaus-inspired émigrés on Australian cultural life. An under-examined but profound influence on Australian cultural history was the forced migration of émigré and refugee modernists from Germany and central Europe, who transformed art, architectural and design education from the 1930s to the 1970s. German and central European training, inspired by the Bauhaus, centred on systematic approaches to pictorial method and design, colour theory and art education, all underwritten by an all-encompassing social ambition. This project aims to provide a new cross-disciplinary history of modernism in Australia that shifts focus from solo contributions to the networks of education, where modernism’s impact was most public, widespread and influential.Read moreRead less
Outsider artists and the reformulation of Australian art. This project aims to produce an understanding of outsider artists, their lives, their histories, and the socio-historic context in which they made their work. “Outsider artists” includes artists experiencing incarceration, disability, mental illness and other forms of marginalisation. Integration of their work will lead to a deeper understanding of mainstream art in Australia to paint a richer, more complex picture of the history of Aust ....Outsider artists and the reformulation of Australian art. This project aims to produce an understanding of outsider artists, their lives, their histories, and the socio-historic context in which they made their work. “Outsider artists” includes artists experiencing incarceration, disability, mental illness and other forms of marginalisation. Integration of their work will lead to a deeper understanding of mainstream art in Australia to paint a richer, more complex picture of the history of Australian art. The project will alter the perspective of arts policy and agencies, and of Australian artists themselves.Read moreRead less
Orientalism of the Mediterranean shore: art and place from Tunis to Marseille. This project focuses on new ways of thinking about how art links North Africa and Europe. Researching the images of Tunis, Algiers, Granada and Marseille in painting and photography (between 1880-1950) will lead to high-level outputs; beginning with a 2014 exhibition on Wassily Kandinsky and Gabriele Münter as Orientalists.
The Illustrated Literature of Papunya and Strelley, 1979-1998. Literature Production Centres at Papunya and Strelley (WA) published hundreds of illustrated books during the 1970s, 1980s and 1990s. They tell stories of the first contact, the Dreaming, bush plants, animals and life on pastoral stations, missions, government settlements and communities. This project will trace the histories of two key centres and the communities in which they were and are embedded, their authors and illustrators, t ....The Illustrated Literature of Papunya and Strelley, 1979-1998. Literature Production Centres at Papunya and Strelley (WA) published hundreds of illustrated books during the 1970s, 1980s and 1990s. They tell stories of the first contact, the Dreaming, bush plants, animals and life on pastoral stations, missions, government settlements and communities. This project will trace the histories of two key centres and the communities in which they were and are embedded, their authors and illustrators, to build a dynamic picture of Indigenous Australia that contributes another dimension to the history of art and literature in Australia. It will produce scholarly papers, a monograph and an exhibition that brings this story to the Australian public.Read moreRead less
The Ateliers of Angkor: sculpture workshops of an empire (Cambodia, 9th to 13th centuries CE). Australia is dedicated to building the capacity of developing countries to look after their World Heritage sites. The collaboration of Australian, Cambodian and international researchers will expand these relationships and help to preserve Angkor's World Heritage value by revealing the work-sites where the world-famous sculptures were created.
Immortal Egypt: cultural tradition and transition during the first intermediate period at Meir. The project will gain new knowledge about the development of ancient Egyptian culture by examining well-preserved tombs dating from the Old through to the Middle Kingdom periods at the cemetery of Meir and analysing the ways in which art, architecture, and socio-religious institutions at the site were maintained or altered over a span of 900 years.
Measuring meaning in Egyptian art: A new approach to an intractable problem. This project aims to produce new insights into the meaning of Eqyptian tomb art. Tomb paintings are a primary source of information about ancient Egyptian life, but what was the original purpose of this art? Previous hypotheses have proposed a range of personal, social or religious functions, but the question remains unresolved. The project aims to break through this impasse by testing the validity of the most comprehen ....Measuring meaning in Egyptian art: A new approach to an intractable problem. This project aims to produce new insights into the meaning of Eqyptian tomb art. Tomb paintings are a primary source of information about ancient Egyptian life, but what was the original purpose of this art? Previous hypotheses have proposed a range of personal, social or religious functions, but the question remains unresolved. The project aims to break through this impasse by testing the validity of the most comprehensive theory to date via an innovative visual and statistical analysis of wall paintings at the Middle Kingdom site of Beni Hassan. The results are expected to bring greater clarity to our understanding of Egyptian art, and so allow an objective evaluation of its use as a historical document.Read moreRead less
Crisis as Opportunity: Societal Change in Early Middle Kingdom Egypt. The project aims to address political and social shifts in the ancient Egyptian early Middle Kingdom c. 4000 years ago. For the first time, and with exclusive study concessions from the government of Egypt, material data of the two most significant cemeteries of the period will be investigated. The project not only expects to generate new knowledge about human interaction during crisis but will utilise interdisciplinary resear ....Crisis as Opportunity: Societal Change in Early Middle Kingdom Egypt. The project aims to address political and social shifts in the ancient Egyptian early Middle Kingdom c. 4000 years ago. For the first time, and with exclusive study concessions from the government of Egypt, material data of the two most significant cemeteries of the period will be investigated. The project not only expects to generate new knowledge about human interaction during crisis but will utilise interdisciplinary research strategies to investigate the emerging opportunities, such as social mobility, for individuals from all strata of society. It will provide significant benefits such as understanding the mechanics of post-crisis political leadership and the cultural impact that enabled the classical period of ancient Egypt to emerge.Read moreRead less
Albrecht Dürer’s Material World – in Melbourne, Manchester and Nuremberg. This project aims to analyse prints in the world-class collection of the iconic Nuremberg artist, Albrecht Dürer, in Melbourne’s National Gallery of Victoria, and to track their 20th-century migration as objects of civic identity from Manchester to Melbourne. A focus on Dürer’s fascination with the technology and craft of objects aims to show how his creativity was rooted in the vibrant entrepreneurial climate of Nuremberg ....Albrecht Dürer’s Material World – in Melbourne, Manchester and Nuremberg. This project aims to analyse prints in the world-class collection of the iconic Nuremberg artist, Albrecht Dürer, in Melbourne’s National Gallery of Victoria, and to track their 20th-century migration as objects of civic identity from Manchester to Melbourne. A focus on Dürer’s fascination with the technology and craft of objects aims to show how his creativity was rooted in the vibrant entrepreneurial climate of Nuremberg c.1500 and to provide a new scholarly path for exploring the relationship between prints and material culture. Expected outcomes include major collaborative articles, an agenda-setting book, exhibitions, website, and community masterclass. These will benefit ongoing research, museums and galleries, and the broader public.Read moreRead less
Eurasian exchange and artistic transformation in art. This project aims to bring European and Chinese art history into dialogue. It explores the early Italian Renaissance in the larger geopolitical context of Mongol Eurasia and the Yuan Empire, to address the questions of influence, contact, and exchange. In reframing the development of early European art as a fundamentally cross-cultural phenomenon, this project aims to offer a better understanding of the roots of our own global visual culture. ....Eurasian exchange and artistic transformation in art. This project aims to bring European and Chinese art history into dialogue. It explores the early Italian Renaissance in the larger geopolitical context of Mongol Eurasia and the Yuan Empire, to address the questions of influence, contact, and exchange. In reframing the development of early European art as a fundamentally cross-cultural phenomenon, this project aims to offer a better understanding of the roots of our own global visual culture. The project will benefit and enrich the study of cross-cultural contact and exchange in art history as a larger field, leading to the re-examination of art in the Australasian region.Read moreRead less