Valuing Web Series: Economic, Industrial, Cultural and Social Value. This project investigates the value of web series as a form of online screen entertainment characterised by original and diverse content produced by emerging creatives. It will deploy the theoretical frame of ‘total value’ to assess the role and viability of web series: value accrued as career development opportunities for digital content makers; value accrued by the audiences who consume web series; and the value accrued by t ....Valuing Web Series: Economic, Industrial, Cultural and Social Value. This project investigates the value of web series as a form of online screen entertainment characterised by original and diverse content produced by emerging creatives. It will deploy the theoretical frame of ‘total value’ to assess the role and viability of web series: value accrued as career development opportunities for digital content makers; value accrued by the audiences who consume web series; and the value accrued by the Australian screen industry as web series contribute to innovation in a rapidly evolving global screen ecology. We have partnered with four leading web series festivals who will benefit directly from a hosting a number of forums for the discussion and dissemination of our comparative findings.Read moreRead less
Digital storytelling and co-creative media: the role of community arts and media in propagating and coordinating population-wide creative practice. Community arts, community broadcasting and Indigenous media producers all face the challenge of digital media and user-led innovation. This project brings these systems together to test how existing infrastructure and new media affordances can be combined to stimulate broad-based innovation through creative participation.
Willing collaborators: Negotiating Change in East Asian Media Production. This project examines how media producers and investors from China, Korea, Taiwan, and Hong Kong are moving into flexible and innovative forms of collaboration. Focusing on cinema, television, online video and mobile content in East Asia, the study enhances academic, industry and policy understandings of the dynamics of regional media production. In addition, the project investigates opportunities and challenges for Austra ....Willing collaborators: Negotiating Change in East Asian Media Production. This project examines how media producers and investors from China, Korea, Taiwan, and Hong Kong are moving into flexible and innovative forms of collaboration. Focusing on cinema, television, online video and mobile content in East Asia, the study enhances academic, industry and policy understandings of the dynamics of regional media production. In addition, the project investigates opportunities and challenges for Australian and other international media companies. It addresses the urgent need to foster understanding of the media industries and cultures of Australia's regional neighbours in order to better equip the nation and its screen sectors to participate in the forthcoming "Asian Century". Read moreRead less
Switched-on Audiences: Australian Listeners and Viewers. Based on substantial primary research and interviews across Australia, this project will map and interrogate the voices of media audiences since the rise of the pervasive new medium of radio in the 1920s. Tuning in to radio and television, both public and commercial, this project will rigorously explore audience engagement with broadcasting over nearly a century. Representing a major shift from the study of media production to reception, t ....Switched-on Audiences: Australian Listeners and Viewers. Based on substantial primary research and interviews across Australia, this project will map and interrogate the voices of media audiences since the rise of the pervasive new medium of radio in the 1920s. Tuning in to radio and television, both public and commercial, this project will rigorously explore audience engagement with broadcasting over nearly a century. Representing a major shift from the study of media production to reception, the work will produce new understandings of Australian media users and digital citizens in a rapidly changing and converging media landscape.Read moreRead less
Only at the movies: mapping the contemporary Australian cinema market. Only at the movies? is a three-year project that asks: What is the enduring appeal of cinemagoing and how is it changing? It will provide detailed analyses of formal film exhibition and distribution in Australia by combining economic, cultural and geospatial research with industry expertise.
Border Crossing: The Transnational Career of the Television Crime Drama. This project aims to shed new light on the evolving dynamics of the global television industry in an era of post-broadcast production and distribution with particular attention to the television crime drama. As one of television's most enduring and popular genres, the crime drama has routinely reflected local, regional and national concerns about law and order issues. Through a series of case studies, this project plans to ....Border Crossing: The Transnational Career of the Television Crime Drama. This project aims to shed new light on the evolving dynamics of the global television industry in an era of post-broadcast production and distribution with particular attention to the television crime drama. As one of television's most enduring and popular genres, the crime drama has routinely reflected local, regional and national concerns about law and order issues. Through a series of case studies, this project plans to explore how national frames of reference in terms of policy and content are being negotiated in different production contexts within the global market place. The television crime drama may thus provide an illuminating lens through which to examine the impact of globalisation on the rapidly evolving television industry as it enters a new era.Read moreRead less