From Where the Fine Warships Come: Democratic Athens at War . This project aims to transform our understanding of classical Athens. This Greek state is famous for developing democracy to an extremely high level and for being the leading cultural innovator of classical Greece. Less well known is the dark side of this success story. Athens revolutionised warfare, killing tens of thousands of combatants and civilians. There is a good case that democracy itself sustained this military record. But th ....From Where the Fine Warships Come: Democratic Athens at War . This project aims to transform our understanding of classical Athens. This Greek state is famous for developing democracy to an extremely high level and for being the leading cultural innovator of classical Greece. Less well known is the dark side of this success story. Athens revolutionised warfare, killing tens of thousands of combatants and civilians. There is a good case that democracy itself sustained this military record. But this case has hardly ever been studied. By filling this big gap in our knowledge this project will be highly significant. It will massively increase capacities in research training and international collaboration. The benefits will include new ideas for better understanding the wars that democracies wage today. Read moreRead less
Mobilising Dutch East India Company collections for new global stories . Australia has a rich legacy of archives, art and artefacts, including 4 shipwrecks in WA, from its history of encounters with the Dutch East India Company (VOC). Through comparative research in Australian and overseas museums and archives we aim to situate Australian collections in a global context, creating new stories about Australia as part of the VOC global network. An interdisciplinary team will train 3 ECRs and 7 HDRs ....Mobilising Dutch East India Company collections for new global stories . Australia has a rich legacy of archives, art and artefacts, including 4 shipwrecks in WA, from its history of encounters with the Dutch East India Company (VOC). Through comparative research in Australian and overseas museums and archives we aim to situate Australian collections in a global context, creating new stories about Australia as part of the VOC global network. An interdisciplinary team will train 3 ECRs and 7 HDRs and forge partnerships with the Netherlands, Britain, Denmark, Germany, Sweden, Indonesia, Malaysia, and South Africa, strengthening national capacity. Our analysis will enrich the value of collections, provide narratives for museums and sites, and revitalise content for international and domestic tourism markets.Read moreRead less
Discovery Early Career Researcher Award - Grant ID: DE150101110
Funder
Australian Research Council
Funding Amount
$345,928.00
Summary
Popular Perceptions of Roman Emperors from Augustus to Theodosius I. This project aims to examine how Roman emperors were perceived by the inhabitants of their empire, from soldiers, slaves and freedmen to senatorial aristocrats. It has two main aims: to explain the different ways in which the emperors' military, judicial, religious and moral authority was conceived, interpreted and transmitted in the Roman world; and to analyse the continuities and changes in these aspects between the first and ....Popular Perceptions of Roman Emperors from Augustus to Theodosius I. This project aims to examine how Roman emperors were perceived by the inhabitants of their empire, from soldiers, slaves and freedmen to senatorial aristocrats. It has two main aims: to explain the different ways in which the emperors' military, judicial, religious and moral authority was conceived, interpreted and transmitted in the Roman world; and to analyse the continuities and changes in these aspects between the first and fourth centuries A.D. The significance of this study lies in its demonstration that the popular reception of imperial rule is crucial to understanding how and why the institution of emperorship endured in the Roman world. This outcome will enhance scholarly and public understanding of the Roman empire.Read moreRead less
Canonic Techniques and Musical Change from c.1330 to c.1530. This project aims to reconceptualise current understandings of musical composition from circa 1330 to circa 1530. Employing innovative computational tools, it aims to show for the first time the specific techniques that composers employed to create different kinds of musical canons. The resulting monograph will seek to make a substantive and original contribution to the history of compositional practice and demonstrate the fundamental ....Canonic Techniques and Musical Change from c.1330 to c.1530. This project aims to reconceptualise current understandings of musical composition from circa 1330 to circa 1530. Employing innovative computational tools, it aims to show for the first time the specific techniques that composers employed to create different kinds of musical canons. The resulting monograph will seek to make a substantive and original contribution to the history of compositional practice and demonstrate the fundamental role played by canonic techniques in broader sociocultural functions and uses of music.Read moreRead less
Scripts without a stage: Roman comedy in the Early Italian Renaissance. In the early Italian Renaissance at a time when theatrical infrastructure was still lacking, rapid advances in learning and technology helped scholars to show how the Latin plays, which had only survived as teaching texts, were in fact works to be performed, eventually leading to stage revivals. This project proposes to build on the successes of an Australian team working on the Roman playwright Terence, and demonstrate the ....Scripts without a stage: Roman comedy in the Early Italian Renaissance. In the early Italian Renaissance at a time when theatrical infrastructure was still lacking, rapid advances in learning and technology helped scholars to show how the Latin plays, which had only survived as teaching texts, were in fact works to be performed, eventually leading to stage revivals. This project proposes to build on the successes of an Australian team working on the Roman playwright Terence, and demonstrate the importance of humanist scholars to intellectual history. It intends to utilise a range of historical resources, many only available in recent years through digitisation.Read moreRead less
ARC Centre of Excellence for the History of Emotions. Emotions change over time; yet the long-term causes and consequences of changing emotional experiences and expressions remain largely unknown. This Centre will revolutionize research in the Humanities and Creative Arts by initiating innovative research collaborations across many disciplines to account for long-term changes and continuities in emotional regimes in Europe 1100-1800. For the first time we will fully analyse the social, cultural ....ARC Centre of Excellence for the History of Emotions. Emotions change over time; yet the long-term causes and consequences of changing emotional experiences and expressions remain largely unknown. This Centre will revolutionize research in the Humanities and Creative Arts by initiating innovative research collaborations across many disciplines to account for long-term changes and continuities in emotional regimes in Europe 1100-1800. For the first time we will fully analyse the social, cultural and political effects of mass emotional events. Links with cultural industry partners in art, drama and music will enable reflective performance research on communication of emotions, and illuminate the Western cultural foundations of emotions in modern Australia.Read moreRead less
The art and science of canon in the music of early 17th-century Rome. This project aims to investigate the cultivation of musical canons by early 17th-century Roman composers and assess how the spirit of experimentation in these compositions relates to contemporary scientific thought. The project will use innovative computational tools to identify compositional choices in musical canon. It will investigate how creative forces arising from early 17th-century scientific thought motivated these cho ....The art and science of canon in the music of early 17th-century Rome. This project aims to investigate the cultivation of musical canons by early 17th-century Roman composers and assess how the spirit of experimentation in these compositions relates to contemporary scientific thought. The project will use innovative computational tools to identify compositional choices in musical canon. It will investigate how creative forces arising from early 17th-century scientific thought motivated these choices. The project intends to transform historical and aesthetic understanding of this repertoire and reshape current narratives about the musical priorities of this period. This will significantly benefit understanding of the relationship between advances in the sciences, arts and music in the early 17th century.Read moreRead less