Sensory orchestration for multimodal literacy learning in primary education. This project aims to advance new learning and pedagogical models of sensory orchestration for the enhanced multimodal and digital literacy learning of primary students. Multimodal literacy is increasingly important in the Australian curriculum and international research, yet research and education largely prioritise visual texts. This project will generate pedagogical and learning models to optimise students’ broadened ....Sensory orchestration for multimodal literacy learning in primary education. This project aims to advance new learning and pedagogical models of sensory orchestration for the enhanced multimodal and digital literacy learning of primary students. Multimodal literacy is increasingly important in the Australian curriculum and international research, yet research and education largely prioritise visual texts. This project will generate pedagogical and learning models to optimise students’ broadened use of the senses in multimodal and digital literacy learning. It will develop new sensory literacy programs with primary schools, community organisations, and art museums.
Read moreRead less
Migration and mobility: the question of childhood in Chinese and European cinema since 1945. This project will produce a comparative account of the migrant and mobile child in postwar film, researched in China and Europe. It will contribute deeper knowledge of how childhood has been valued in key societies since 1945, and will bring new energy to international and domestic debates on the status, image and experience of migrant children.
Graphic Encounters: Colonial Prints and the Inscription of Aboriginality. This project plans to collate the archive of prints depicting Indigenous Australians, from national and international collections, to ask how people's place in this newly encroached territory was inscribed by colonial prints. Before the 1890s, prints (engravings, etchings and lithographs) were the principal means of reproducing images. Prints disseminated imagery of Indigenous people and determined how they were 'put in th ....Graphic Encounters: Colonial Prints and the Inscription of Aboriginality. This project plans to collate the archive of prints depicting Indigenous Australians, from national and international collections, to ask how people's place in this newly encroached territory was inscribed by colonial prints. Before the 1890s, prints (engravings, etchings and lithographs) were the principal means of reproducing images. Prints disseminated imagery of Indigenous people and determined how they were 'put in the picture' of settlement. Our colonial-era cultural heritage includes many prints (engravings, etchings, lithographs, etcetera) of Aborigines, yet they have been overlooked and the story of their production, dissemination and consumption is untold. This project aims to collate and trace this visual archive of Indigenous Australians and present its imagery to all Australians, including descendants, in an exhibition and conference, catalogue, monograph and online database.Read moreRead less
What is successful public art today?: exploring how contemporary public art and memorial design shapes public engagement, perceptions and behaviour. Much public money is invested in public art and memorials. The research explores critical questions of value: what the public enjoys about such artworks, if and how artworks contribute amenity to public spaces, and whether recent artworks engage effectively with social memory, identity and politics. The research situates local practice within intern ....What is successful public art today?: exploring how contemporary public art and memorial design shapes public engagement, perceptions and behaviour. Much public money is invested in public art and memorials. The research explores critical questions of value: what the public enjoys about such artworks, if and how artworks contribute amenity to public spaces, and whether recent artworks engage effectively with social memory, identity and politics. The research situates local practice within international trends, to inform Australian designers, policymakers, art patrons and public space managers about recent innovations in technology, craft, creativity and critique, so they can create and choose public artworks and memorials which engage with the potentials of contemporary arts practice, the complexities of contemporary culture, and the diversity of social behaviour in public spaces.Read moreRead less
Cinematic Ethics: Exploring Ethical Experience through Film. This project develops a new interdisciplinary framework for understanding cinema’s unique power to evoke ethical experience via audiovisual means. Combining philosophy with film analysis, it moves beyond the prevalent view that cinema merely illustrates moral situations, and challenges the long-held suspicion toward film’s manipulative aesthetic power. This project proposes instead a model of cinematic ethics: an investigation of how c ....Cinematic Ethics: Exploring Ethical Experience through Film. This project develops a new interdisciplinary framework for understanding cinema’s unique power to evoke ethical experience via audiovisual means. Combining philosophy with film analysis, it moves beyond the prevalent view that cinema merely illustrates moral situations, and challenges the long-held suspicion toward film’s manipulative aesthetic power. This project proposes instead a model of cinematic ethics: an investigation of how cinema evokes ethical experience through emotional, cognitive, and aesthetic engagement. This project will advance the emerging interdisciplinary field of film-philosophy by highlighting film’s under-recognised potential to enhance ethical understanding, and thus to promote greater social awareness and intercultural communication.Read moreRead less
Visual cosmopolitanism, national identity and imperialist ambitions in garden spaces. Visual cosmopolitanism is an ideal created through the global movement of art forms. This project will contribute to current debates about the globalisation of art by tracing the concept back to artistic practices and aesthetic theories of the enlightenment through a focus on experience within the eighteenth-century garden.
Animating the study of visual communication. This project aims to inform how dynamic colour signals broker information exchange by connecting stimulus design with perception through space and time. Biological studies of colour signalling have largely proceeded via static terms that underestimate the true fluidity of natural contexts. This project aspires to animate the field using innovative approaches such as programmable nano-drones to reveal how flashing colours are perceived under diverse vi ....Animating the study of visual communication. This project aims to inform how dynamic colour signals broker information exchange by connecting stimulus design with perception through space and time. Biological studies of colour signalling have largely proceeded via static terms that underestimate the true fluidity of natural contexts. This project aspires to animate the field using innovative approaches such as programmable nano-drones to reveal how flashing colours are perceived under diverse viewing conditions. The knowledge advances are expected to generate new intellectual paradigms and models, and have significant scope for bio-inspiration in areas such as telecommunication, information processing and the optimal design of visual displays.Read moreRead less