Through the Lens: A Cultural Study of Women's Fashion Photography in Australia, 1890 to 2000. This study supports growing academic interests in Australian fashion and provides the nascent fashion industry, and the media, with a cultural and historical context for their current practices. It sets up debate and expands available information about local fashion photography, challenging the assumption that it is solely dependent on overseas ideas and practices. It has the further potential to export ....Through the Lens: A Cultural Study of Women's Fashion Photography in Australia, 1890 to 2000. This study supports growing academic interests in Australian fashion and provides the nascent fashion industry, and the media, with a cultural and historical context for their current practices. It sets up debate and expands available information about local fashion photography, challenging the assumption that it is solely dependent on overseas ideas and practices. It has the further potential to export understandings of Australian fashion and its photographic representation, including its creative and aesthetic aspects, and by implication will assist the fashion industry, and the public, develop understanding of its workings.Read moreRead less
Representing Kanaks: Generic Variation, Identity, and the Politics of the Everyday Semiotic. The project hypothesizes that representational struggles over indigenous identity are crucially shaped by the range of genres in which identity is asserted. Through the case of Kanaks in New Caledonia, as represented by several everyday genres hitherto neglected by scholarship, the representational politics of indigeneity are interrogated with the aim of demonstrating that Kanak existence is constituted ....Representing Kanaks: Generic Variation, Identity, and the Politics of the Everyday Semiotic. The project hypothesizes that representational struggles over indigenous identity are crucially shaped by the range of genres in which identity is asserted. Through the case of Kanaks in New Caledonia, as represented by several everyday genres hitherto neglected by scholarship, the representational politics of indigeneity are interrogated with the aim of demonstrating that Kanak existence is constituted in the semiotic detail of everyday generic variation. The project's significance lies in its radical reconception of identity and representational politics: going beyond indigenous versus colonial binaries, it reveals the complexity of day-to-day competition over and consolidation of indigenous identity through representational systems.Read moreRead less