Exploring Botanic Gardens Herbarium's value, via Environmental Aesthetics. . The project aims to aesthetically redefine engagement with the plant collection at Royal Botanic Gardens Herbarium (RBG) Sydney and to communicate its artistic, cultural and heritage value to the public through a Public Program of creative arts case studies. It's expected that new insights will arise from an environmental art methodology utilising the digitisation of the Herbarium specimens, so that audiences can intera ....Exploring Botanic Gardens Herbarium's value, via Environmental Aesthetics. . The project aims to aesthetically redefine engagement with the plant collection at Royal Botanic Gardens Herbarium (RBG) Sydney and to communicate its artistic, cultural and heritage value to the public through a Public Program of creative arts case studies. It's expected that new insights will arise from an environmental art methodology utilising the digitisation of the Herbarium specimens, so that audiences can interactively experience the plant archive through narratives that activate plants as underpinning ecosystems. Benefits to partners RBG, Bundanon Trust and Open Humanities Press will include the digital expansion of audience engagement with the Herbarium at RBG and Mt Annan and communication of collection’s significance.Read moreRead less
“The Complete Craze”: Women’s Photography and Colonial Modernity in the Asia-Pacific, 1860-1930. To date there has been no sustained research into the photography produced by women in the Asia-Pacific region in the late colonial era even though much of it was aesthetically sophisticated and innovative. Combining historical research with postcolonial and gender theory, this project critically examines a large body of images by women photographers working across the region. It identifies the facto ....“The Complete Craze”: Women’s Photography and Colonial Modernity in the Asia-Pacific, 1860-1930. To date there has been no sustained research into the photography produced by women in the Asia-Pacific region in the late colonial era even though much of it was aesthetically sophisticated and innovative. Combining historical research with postcolonial and gender theory, this project critically examines a large body of images by women photographers working across the region. It identifies the factors enabling these women to be examined as a group, investigates their subject matter, techniques and styles, and establishes what was exciting and new, as well as conventional, about their methods. It also shows how their artworks both reflected and contributed to the region’s burgeoning modernity. Read moreRead less