Discovery Early Career Researcher Award - Grant ID: DE200100120
Funder
Australian Research Council
Funding Amount
$426,897.00
Summary
Rethinking the dynamics of place in Warlpiri performance. This project will determine the dynamic ways in which Warlpiri people forge and negotiate connections to place in performance of ceremonial songs. Through collaborative research with Warlpiri people this project innovatively implements Indigenous methodological approaches which emphasise that Warlpiri singing traditions are multimodal and embodied in their practice. This project will undertake the first systematic study of Warlpiri place ....Rethinking the dynamics of place in Warlpiri performance. This project will determine the dynamic ways in which Warlpiri people forge and negotiate connections to place in performance of ceremonial songs. Through collaborative research with Warlpiri people this project innovatively implements Indigenous methodological approaches which emphasise that Warlpiri singing traditions are multimodal and embodied in their practice. This project will undertake the first systematic study of Warlpiri place-based songs in performance contexts incorporating past and contemporary instances to determine the dynamic interconnections between people and places. In validating the contemporary value of Warlpiri performance of ceremonial songs, this project will support the continuing vitality of these traditions.Read moreRead less
Restoring on-Country performance: song, language and south coast landscapes. This project aims to investigate relationships between place, people and endangered performance traditions in the south coast region of Western Australia. For the first time, it will bring together work on archival song and language material, ecological readings of landscape and Indigenous community expertise to extend and enhance knowledge of critically endangered Nyungar songlines. Expected outcomes include increased ....Restoring on-Country performance: song, language and south coast landscapes. This project aims to investigate relationships between place, people and endangered performance traditions in the south coast region of Western Australia. For the first time, it will bring together work on archival song and language material, ecological readings of landscape and Indigenous community expertise to extend and enhance knowledge of critically endangered Nyungar songlines. Expected outcomes include increased community capacity to develop, maintain and share a place-based performance repertoire and the potential to nourish social cohesion, strengthen connection to Country and aid re-interpretation of the landscape. This should provide benefits to Indigenous wellbeing, environmental understanding and processes of reconciliation.Read moreRead less
Fine Tuning: A Reconciliation of Indigenous and Western Musical Traditions. Focusing on central Australian song lines, the project strengthens our knowledge, understanding and application of the intricate tuning systems that underpin traditional Indigenous musical practices. Employing a unique methodology that combines Indigenous and contemporary Western musical performance practices with cutting-edge digital technologies, the project will show how the highly nuanced and sophisticated tunings at ....Fine Tuning: A Reconciliation of Indigenous and Western Musical Traditions. Focusing on central Australian song lines, the project strengthens our knowledge, understanding and application of the intricate tuning systems that underpin traditional Indigenous musical practices. Employing a unique methodology that combines Indigenous and contemporary Western musical performance practices with cutting-edge digital technologies, the project will show how the highly nuanced and sophisticated tunings at the heart of Indigenous music-making can be preserved when transposed to contemporary Western art music contexts. In so doing, the case is made for a more genuine, equitable dialogue between Indigenous and non-Indigenous music-makers, to the mutual benefit of musicians, audiences, and society at large. Read moreRead less
Hearing the music of early New South Wales, 1788-1860 . This project aims to restore the musical sound world of early New South Wales, from local Aboriginal songs to imported European settler music. It aims to develop new creative research methodologies applicable to the study, teaching and understanding of musical interactions in the early colony. By digitally embedding the recorded outcomes and documentary materials within an accessible web repository, the project aims to disseminate new knowl ....Hearing the music of early New South Wales, 1788-1860 . This project aims to restore the musical sound world of early New South Wales, from local Aboriginal songs to imported European settler music. It aims to develop new creative research methodologies applicable to the study, teaching and understanding of musical interactions in the early colony. By digitally embedding the recorded outcomes and documentary materials within an accessible web repository, the project aims to disseminate new knowledge of musical soundscapes. The project expects to transform the way we talk about and understand the sound worlds of Indigenous and settler musical cultures, with benefits for academic, music professional and amateur researchers.Read moreRead less
Resonant histories of musical encounter in Australia. This project aims to understand Australia’s cultural past by situating histories of musical encounter in the nation's Oceanic location and colonial history. Underpinned by multi-sensory conceptual frameworks, it aims to apply collaborative, intercultural and interdisciplinary approaches drawing on historical, musicological and ethnographic methods to reveal musical encounters as sites for understanding Australian history. Focusing on a format ....Resonant histories of musical encounter in Australia. This project aims to understand Australia’s cultural past by situating histories of musical encounter in the nation's Oceanic location and colonial history. Underpinned by multi-sensory conceptual frameworks, it aims to apply collaborative, intercultural and interdisciplinary approaches drawing on historical, musicological and ethnographic methods to reveal musical encounters as sites for understanding Australian history. Focusing on a formational period, 1888-1988, the project expects to generate new knowledge about Australian musical institutions, sites and intercultural encounters and aims to have benefits for the diversification of curricula, and implications for Australian cultural policy.Read moreRead less