Discovery Indigenous Researchers Development - Grant ID: DI100100200
Funder
Australian Research Council
Funding Amount
$177,000.00
Summary
Reversing the gaze: Indigenous perspectives on cultural representation in national museums. Through a focus on new media and digital engagements the project will identify the capacity for Indigenous communities to act as partners in their representation in the national museum space. By contributing an indigenous-centred review of best-practice moments at both a national and international level, the project will deliver modes of engagement that will benefit both Indigenous communities and museu ....Reversing the gaze: Indigenous perspectives on cultural representation in national museums. Through a focus on new media and digital engagements the project will identify the capacity for Indigenous communities to act as partners in their representation in the national museum space. By contributing an indigenous-centred review of best-practice moments at both a national and international level, the project will deliver modes of engagement that will benefit both Indigenous communities and museums engaged in Indigenous cultural representation.Read moreRead less
Aboriginal Femininity and Modern Identity: Gender and Race in the Late Colonial Visual Scene. The project is the first sustained cultural history of Aboriginal femininity in Australian from 1870-1967. It will draw on diverse forms of modern visual culture: painting, black and white drawing, mass commodity spectacle, film and photography, to investigate six modes of production of Aboriginal feminine visibility: the 'primitive' woman in Western exhibiting practices such as colonial museums: the pe ....Aboriginal Femininity and Modern Identity: Gender and Race in the Late Colonial Visual Scene. The project is the first sustained cultural history of Aboriginal femininity in Australian from 1870-1967. It will draw on diverse forms of modern visual culture: painting, black and white drawing, mass commodity spectacle, film and photography, to investigate six modes of production of Aboriginal feminine visibility: the 'primitive' woman in Western exhibiting practices such as colonial museums: the perceived failure of 'Mission Mary' to appear modern; the relation of Aboriginal femininity to imported forms of exoticism; the fetishism of Indigenous women; girl piccaninny kitsch in domestic and tourist ornaments; and the entrance of public Aboriginal women and celebrities into modernity.
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Graphic Encounters: Colonial Prints and the Inscription of Aboriginality. This project plans to collate the archive of prints depicting Indigenous Australians, from national and international collections, to ask how people's place in this newly encroached territory was inscribed by colonial prints. Before the 1890s, prints (engravings, etchings and lithographs) were the principal means of reproducing images. Prints disseminated imagery of Indigenous people and determined how they were 'put in th ....Graphic Encounters: Colonial Prints and the Inscription of Aboriginality. This project plans to collate the archive of prints depicting Indigenous Australians, from national and international collections, to ask how people's place in this newly encroached territory was inscribed by colonial prints. Before the 1890s, prints (engravings, etchings and lithographs) were the principal means of reproducing images. Prints disseminated imagery of Indigenous people and determined how they were 'put in the picture' of settlement. Our colonial-era cultural heritage includes many prints (engravings, etchings, lithographs, etcetera) of Aborigines, yet they have been overlooked and the story of their production, dissemination and consumption is untold. This project aims to collate and trace this visual archive of Indigenous Australians and present its imagery to all Australians, including descendants, in an exhibition and conference, catalogue, monograph and online database.Read moreRead less
The Visual Mediation of a Complex Narrative: TGH Strehlow's Journey to Horseshoe Bend. TGH Strehlow's biographical memoir, Journey to Horseshoe Bend, is a vivid ethno-historiographic account of Aboriginal, settler and Lutheran communities of Central Australia in the 1920's. This project intends to construct an extensive digital hub elaborating key textual thematics of Aboriginal identity and sense of ?place?, supplemented with oral histories. Consistent with the Strehlow Research Centre's missio ....The Visual Mediation of a Complex Narrative: TGH Strehlow's Journey to Horseshoe Bend. TGH Strehlow's biographical memoir, Journey to Horseshoe Bend, is a vivid ethno-historiographic account of Aboriginal, settler and Lutheran communities of Central Australia in the 1920's. This project intends to construct an extensive digital hub elaborating key textual thematics of Aboriginal identity and sense of ?place?, supplemented with oral histories. Consistent with the Strehlow Research Centre's mission in the management and preservation of the Strehlow Collection's vast archival materials, the project will provide access to and foster engagement with Strehlow's works. The project will employ innovative visual methodologies in the production and mediation of Indigenous knowledge related to the text. Read moreRead less
Still in my mind: Gurindji experience, location and visuality. This project will develop an innovative historical account of the effects of pictorial representation of Aboriginal identity, using visual, ethnographic and archival sources. It will investigate and critique the impact of ethno-centric codification through which Aboriginal peoples have been framed and refracted throughout the 19th century and into the 21st century, from a specific Gurindji standpoint.
Envisaging Citizenship: Australian Histories and Global Connections. This project aims to investigate the ways that visual images have defined, contested and advanced ideas of Australian citizenship and rights from European settlement to the present. Responding to the lack of a shared mainstream understanding of Australian citizenship, it looks beyond legal definitions to explore cultural and especially visual views of citizenship over time. Through collaboration with museum, media and education ....Envisaging Citizenship: Australian Histories and Global Connections. This project aims to investigate the ways that visual images have defined, contested and advanced ideas of Australian citizenship and rights from European settlement to the present. Responding to the lack of a shared mainstream understanding of Australian citizenship, it looks beyond legal definitions to explore cultural and especially visual views of citizenship over time. Through collaboration with museum, media and education sectors, it will provide a forward-looking and accessible public history, and utilise the potential of images to broaden contemporary debates about citizenship. Expected outcomes include a better public understanding of the pathways to citizenship, and enhanced engagement with Australian values and identity.Read moreRead less
A history of press photography in Australia. Press photography has long influenced how Australians have understood themselves and their world. In collaboration with the National Library of Australia and the Walkley Foundation, the project explores the evolving role of photographs in breaking news, and historical shifts in photographic technologies, media practices and ethics.
Australian art exhibitions 1968-2009: a generation of cultural transformation. The years 1968 to 2009 witnessed a transformation in the way Australians saw the art of their country. This project investigates the impact of increased funding (government and private) and new scholarship on the curating of art exhibitions, and traces the reconfiguration of Australia’s art history that took place in exhibitions during this period.
Discovery Early Career Researcher Award - Grant ID: DE140100878
Funder
Australian Research Council
Funding Amount
$394,605.00
Summary
The Other War: An investigation via documentary film into images of race and otherness in WW1 and their implications for Indigenous communities today.
. In 1915, German scientists began an immense task of wartime science designed to categorise 'the peoples of the world'. This ideological experiment involved Indigenous Australian and Pacific prisoners of war, and paved the way to post-war Nazi racial ideology. The sound, image and other cultural records captured during this wartime experiment ....The Other War: An investigation via documentary film into images of race and otherness in WW1 and their implications for Indigenous communities today.
. In 1915, German scientists began an immense task of wartime science designed to categorise 'the peoples of the world'. This ideological experiment involved Indigenous Australian and Pacific prisoners of war, and paved the way to post-war Nazi racial ideology. The sound, image and other cultural records captured during this wartime experiment are now listed by the United Nations Educational, Scientific and Cultural Organisation. This project will use documentary film and will apply innovative and socially inclusive 'reconciling' research methodologies to repatriate significant Australian cultural records from this World War I prisoners of war archive. It will document a post-colonial chapter in the aesthetics of 'otherness', and describe an important history of indigenous involvement in the foundational Australian narrative of World War I conflict.Read moreRead less
Discovery Early Career Researcher Award - Grant ID: DE220100795
Funder
Australian Research Council
Funding Amount
$412,606.00
Summary
Message sticks: Long-distance communication in Indigenous Australia. Message sticks are marked wooden objects that were once used throughout Indigenous Australia to convey important information between communities. The intended outcome of this project is to answer a central question: What role did message sticks play in Indigenous long-distance communication? Drawing on archival evidence and original fieldwork in the Top End, the project aims to be the first empirically grounded study of message ....Message sticks: Long-distance communication in Indigenous Australia. Message sticks are marked wooden objects that were once used throughout Indigenous Australia to convey important information between communities. The intended outcome of this project is to answer a central question: What role did message sticks play in Indigenous long-distance communication? Drawing on archival evidence and original fieldwork in the Top End, the project aims to be the first empirically grounded study of message sticks as a practice. The project expects to define message sticks as a class of material culture, explain their communicative dynamics, generate new cross-cultural insights, and strengthen collaborations between research institutions, museums and Indigenous cultural organisations. Read moreRead less