Practical Aesthetics: A Study in Understanding Real Events through Contemporary Art. This project advances the concept of practical aesthetics to demonstrate how art is of direct benefit to both the academic and wider community, furnishing concrete techniques that enable us to apprehend and understand key social and political events. It engenders an exhibition, public symposia, a workshop with student/international participation, and a book/articles, presenting Australian art in an internationa ....Practical Aesthetics: A Study in Understanding Real Events through Contemporary Art. This project advances the concept of practical aesthetics to demonstrate how art is of direct benefit to both the academic and wider community, furnishing concrete techniques that enable us to apprehend and understand key social and political events. It engenders an exhibition, public symposia, a workshop with student/international participation, and a book/articles, presenting Australian art in an international framework. The project extends the discipline base of art history, promoting and facilitating the use of art in other disciplines and in debates on events relating to issues of national importance (including border control, Reconciliation, and environmental disaster).
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Aesthetic Strategies in Neo-Conceptual Art, 1980s-1990s. The decline of formalist aesthetics figured prominently in Neo-Conceptual art and postmodern theory of the 1980s. In the 1990s, this trend began to reverse, and revisionist aesthetic theory re-emerged as a salient force in contemporary art scholarship. Using the perspective of revisionist aesthetic theory, this study will show evidence of aesthetic strategies in Neo-Conceptual art that have been neglected in post modern, anti-aesthetic int ....Aesthetic Strategies in Neo-Conceptual Art, 1980s-1990s. The decline of formalist aesthetics figured prominently in Neo-Conceptual art and postmodern theory of the 1980s. In the 1990s, this trend began to reverse, and revisionist aesthetic theory re-emerged as a salient force in contemporary art scholarship. Using the perspective of revisionist aesthetic theory, this study will show evidence of aesthetic strategies in Neo-Conceptual art that have been neglected in post modern, anti-aesthetic interpretations. As the first systematic analysis of how aesthetic and conceptual operations interact in Neo-Conceptual art, the study will change how conceptualist art is understood within both post modern art discourse and revisionist aesthetic theory.Read moreRead less
Ethical Globalism: Changing Strategies of Political Critique and Intervention in Art and Curatorial Practice after 1989. This project identifies and analyses changing strategies of political critique and intervention in the international artworld over the last fifteen years. The first comprehensive study of the impact of globalisation on both art making and international survey exhibitions, it identifies new forms of "transnational" art and curatorial practice that engage affective techniques to ....Ethical Globalism: Changing Strategies of Political Critique and Intervention in Art and Curatorial Practice after 1989. This project identifies and analyses changing strategies of political critique and intervention in the international artworld over the last fifteen years. The first comprehensive study of the impact of globalisation on both art making and international survey exhibitions, it identifies new forms of "transnational" art and curatorial practice that engage affective techniques to achieve political effects. By drawing on theories of globalisation and developing an analysis of affectivity in art, it demonstrates the distinctive contribution of visual imagery to an understanding of issues such as racism, economic globalisation, violence and conflict, refugees and displacement.
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Exploring Botanic Gardens Herbarium's value, via Environmental Aesthetics. . The project aims to aesthetically redefine engagement with the plant collection at Royal Botanic Gardens Herbarium (RBG) Sydney and to communicate its artistic, cultural and heritage value to the public through a Public Program of creative arts case studies. It's expected that new insights will arise from an environmental art methodology utilising the digitisation of the Herbarium specimens, so that audiences can intera ....Exploring Botanic Gardens Herbarium's value, via Environmental Aesthetics. . The project aims to aesthetically redefine engagement with the plant collection at Royal Botanic Gardens Herbarium (RBG) Sydney and to communicate its artistic, cultural and heritage value to the public through a Public Program of creative arts case studies. It's expected that new insights will arise from an environmental art methodology utilising the digitisation of the Herbarium specimens, so that audiences can interactively experience the plant archive through narratives that activate plants as underpinning ecosystems. Benefits to partners RBG, Bundanon Trust and Open Humanities Press will include the digital expansion of audience engagement with the Herbarium at RBG and Mt Annan and communication of collection’s significance.Read moreRead less
Shaping Indonesian Contemporary Art: the role of institutions. Southeast Asia is a new international focus of the art world. In the absence of the kinds of public grants programs and arts institutions that support contemporary art in the West, what are the major structures within Indonesia that shape the choices of artists, support their work economically, and determine what is presented to the world as “contemporary Indonesian art”? By examining the roles of major art teaching institutions (in ....Shaping Indonesian Contemporary Art: the role of institutions. Southeast Asia is a new international focus of the art world. In the absence of the kinds of public grants programs and arts institutions that support contemporary art in the West, what are the major structures within Indonesia that shape the choices of artists, support their work economically, and determine what is presented to the world as “contemporary Indonesian art”? By examining the roles of major art teaching institutions (in Bandung, Yogyakarta and Jakarta); art criticism and its vehicles; exhibitions; museums and private collections; art auctions; and artists' collectives, this project looks at Indonesian art as the product of tension between commodity forms and the creative desires of artists to participate in global contemporary art.Read moreRead less
Mobilising remote Aboriginal art centre records for art history. This project will use the archives of remote Aboriginal art centres to promote Aboriginal artists. For a long time their work has been thought of overseas as primitive, or of ethnographic interest. By examining the innovations of the work of Aboriginal artists, this project will demonstrate that these are contemporary artists of global quality.
Orientalism of the Mediterranean shore: art and place from Tunis to Marseille. This project focuses on new ways of thinking about how art links North Africa and Europe. Researching the images of Tunis, Algiers, Granada and Marseille in painting and photography (between 1880-1950) will lead to high-level outputs; beginning with a 2014 exhibition on Wassily Kandinsky and Gabriele Münter as Orientalists.
Media Formulations To Enhance Embryo Formation In Assisted Reproduction
Funder
National Health and Medical Research Council
Funding Amount
$660,133.00
Summary
The increasing age of parenthood has led to an explosion in the demand for assisted reproductive technologies such as in vitro fertilisation (IVF). This procedure has a poor success rate and is limited by the ability of fertilised eggs to mature into early embryos in the lab prior to being transferred into women. We will develop new compounds that improve embryo growth in the clinic, which will improve IVF success rates.
Affect and Expression in Women's Art in Art Movements of the 1960s and 70s. Through a study of four artists, this project will constitute a major revision of the way art history understands the key art movements of the 1960s and 70s. The study will focus on four women artists?each representing a key movement of the period: Hesse (minimalism), Clark (conceptualism), Cha (conceptualism), Mendieta (land art)?and will demonstrate that their approach to affective expression is the key to understandin ....Affect and Expression in Women's Art in Art Movements of the 1960s and 70s. Through a study of four artists, this project will constitute a major revision of the way art history understands the key art movements of the 1960s and 70s. The study will focus on four women artists?each representing a key movement of the period: Hesse (minimalism), Clark (conceptualism), Cha (conceptualism), Mendieta (land art)?and will demonstrate that their approach to affective expression is the key to understanding their contribution to the development of late-modern art. In the process it will reveal the shortcomings of existing art historical interpretations that see these movements as aiming to eliminate expression and subjectivity.Read moreRead less
A new theory of Aboriginal art. The paradigms developed by scholars have a huge impact on the value of art. After the Australian artworld repositioned Aboriginal art from the frame of 'primitive art' to that of contemporary art, the price of and market for Aboriginal art increased enormously. However, Aboriginal art failed to penetrate the international contemporary artworld because the paradigms of contemporary art within which it was framed were outmoded. Through examining the production of Ab ....A new theory of Aboriginal art. The paradigms developed by scholars have a huge impact on the value of art. After the Australian artworld repositioned Aboriginal art from the frame of 'primitive art' to that of contemporary art, the price of and market for Aboriginal art increased enormously. However, Aboriginal art failed to penetrate the international contemporary artworld because the paradigms of contemporary art within which it was framed were outmoded. Through examining the production of Aboriginal art from the perspectives of its producers and recent globalised contemporary art practices, this project aims to develop a new theory of Aboriginal art that is more aligned with the thinking of current curators who set the agenda at the upper end of the market.Read moreRead less