Interrogating the music city: cultural economy & popular music in Melbourne. Drawing on a range of sources and disciplinary frameworks, this project is designed to be both a history of the pop and rock music scenes in Melbourne from the mid-1950s to the present, and an analysis and critique of the usefulness of the concept of the 'music city' to understanding the role of popular music in the cultural economy of cities internationally. Melbourne is Australia’s premier ‘music city’, with popular m ....Interrogating the music city: cultural economy & popular music in Melbourne. Drawing on a range of sources and disciplinary frameworks, this project is designed to be both a history of the pop and rock music scenes in Melbourne from the mid-1950s to the present, and an analysis and critique of the usefulness of the concept of the 'music city' to understanding the role of popular music in the cultural economy of cities internationally. Melbourne is Australia’s premier ‘music city’, with popular music a key component of its contemporary identity and cultural economy. As governments and civic leaders around the world increasingly look to music cultures as drivers of economic development and cultural status, the project offers a timely evaluation of the utility of this cultural and economic strategy.Read moreRead less
Intangible cultural heritage across borders: laws, structures and strategies in China and its Association of Southeast Asian Nations neighbours. This project explores the way selected Asian countries have implemented international concepts regarding intangible cultural heritage and how cross-border conflicts about heritage have resulted from different interpretations of related 'rights'. This project develops proposals for international reconciliation and cooperation in heritage protection.
Emerging transformations in the representation, transmission, and uses of Indigenous and artistic knowledge. This project will investigate the value of old and new knowledge making practices in our contemporary world. It will look at both Indigenous, and artistic knowledge processes, and the possibilities of new digital technologies to enhance their accessibility, transfer, and use.
Comedy - no laughing matter: identifying and preserving the history of comedy in Melbourne from the 1960s through the 1980s. This project will document the historical development of the comedy industry in Melbourne through preserving the material culture and recording the oral histories of its participants. In doing so, it will bridge a substantial gap in the knowledge of Australia's cultural history, and preserve important material for future research.
When science meets art: an environmental portrait of the Shoalhaven River Valley. This project will involve a collaboration between art and science to create an environmental and cultural portrait of the Shoalhaven River Valley. Environmental readings of river and land quality will be converted into a visual and audio display for both on-site and off-site visitors.
Howitt & Fison’s anthropology. Howitt & Fison’s anthropology. This project will systematically analyse nineteenth century anthropologists Lorimer Fison and A.W. Howitt’s accounts of Indigenous kinship, social organisation, and local languages, and historical encounters between settlers and Indigenous people. This project will assemble Fison and Howitt’s meticulous records into best-practice digital formats, with widely accessible interactive data presentation, and bring these extraordinary recor ....Howitt & Fison’s anthropology. Howitt & Fison’s anthropology. This project will systematically analyse nineteenth century anthropologists Lorimer Fison and A.W. Howitt’s accounts of Indigenous kinship, social organisation, and local languages, and historical encounters between settlers and Indigenous people. This project will assemble Fison and Howitt’s meticulous records into best-practice digital formats, with widely accessible interactive data presentation, and bring these extraordinary records to the broadest possible community. This research, which integrates anthropology, history and linguistics, is expected to open up new dimensions in Australian history, anthropological theory, and Australian linguistics.Read moreRead less
Discovery Early Career Researcher Award - Grant ID: DE150100553
Funder
Australian Research Council
Funding Amount
$327,849.00
Summary
Restoring the Contemporary: Remembering Live Art at The Performance Space. This project aims to analyse the Performance Space archive as a microcosm of how contemporary performance practices have evolved over the past thirty years. In doing so, it will argue that this rare national resource can contribute to wider global debates about the changing relationship between theatre, performance and live art. The project aims to produce data for existing infrastructures such as AusStage as well as a pu ....Restoring the Contemporary: Remembering Live Art at The Performance Space. This project aims to analyse the Performance Space archive as a microcosm of how contemporary performance practices have evolved over the past thirty years. In doing so, it will argue that this rare national resource can contribute to wider global debates about the changing relationship between theatre, performance and live art. The project aims to produce data for existing infrastructures such as AusStage as well as a public symposium, an edited book addressed to a wide audience, and a series of journal articles and monographs for the scholarly community.Read moreRead less
The Nakanai Caves Cultural Heritage Project. This project aims to document and integrate the natural and cultural values of the Nakanai Caves in East New Britain, Papua New Guinea, in preparation for a cultural landscape World Heritage nomination. The project’s novel methodology incorporates community knowledge with archaeological and anthropological evidence to link natural and cultural values and define the landscape from local perspectives. Local input into the research will be prioritised. B ....The Nakanai Caves Cultural Heritage Project. This project aims to document and integrate the natural and cultural values of the Nakanai Caves in East New Britain, Papua New Guinea, in preparation for a cultural landscape World Heritage nomination. The project’s novel methodology incorporates community knowledge with archaeological and anthropological evidence to link natural and cultural values and define the landscape from local perspectives. Local input into the research will be prioritised. By emphasising local participation and management of World Heritage listing processes the project aims to address an identified gap in World Heritage methodologies. This project allows for a subtle, nuanced definition of cultural landscapes under the World Heritage Convention.Read moreRead less
The unknown ‘Ice Age’ artists of Borneo. This project aims to shift the focus of the search for art’s origins onto important new horizons. Who were the first artists? When and why did it become second nature for humans not simply to exist within the natural world, but to encode it with images of things both real and imagined? The discovery of cave paintings in Sulawesi and more recently in Borneo dating to at least 40,000 years ago has altered our understanding of the origins and spread of the f ....The unknown ‘Ice Age’ artists of Borneo. This project aims to shift the focus of the search for art’s origins onto important new horizons. Who were the first artists? When and why did it become second nature for humans not simply to exist within the natural world, but to encode it with images of things both real and imagined? The discovery of cave paintings in Sulawesi and more recently in Borneo dating to at least 40,000 years ago has altered our understanding of the origins and spread of the first painting traditions. This project will build upon these breakthrough discoveries by constructing the first detailed portrait of the cultural and symbolic worlds of the unknown artists of Pleistocene Borneo. By doing so, it will further our knowledge about the process of the emergence of figurative art, one of the most fundamental cultural developments in the evolution of humankind.Read moreRead less
Digital archives, datadiversity and discoverability: the Strehlow Collection as knowledge resource for remote indigenous communities. How will the digitisation of archives of the Strehlow Collection enable principles of best practice in resourcing Aboriginal cultural and community interests? The outcomes of this project will ensure that those following in their footsteps of traditional cultural owners can become the future custodians of their digital cultural heritage.