Utilitarian Filmmaking in Australia 1945 - 1980. The project plans to discover, document, analyse and compile a lasting archive of utilitarian filmmaking in Australia. 'Utilitarian' describes client-sponsored, instructional and governmental filmmaking existing outside the conventional theatrical contexts by which cinema is usually defined. Focused on the post-World War Two decades before the proliferation of video in the late 1970s, the project aims to highlight previously-unstudied aspects of t ....Utilitarian Filmmaking in Australia 1945 - 1980. The project plans to discover, document, analyse and compile a lasting archive of utilitarian filmmaking in Australia. 'Utilitarian' describes client-sponsored, instructional and governmental filmmaking existing outside the conventional theatrical contexts by which cinema is usually defined. Focused on the post-World War Two decades before the proliferation of video in the late 1970s, the project aims to highlight previously-unstudied aspects of the media industries. This is designed to deliver new knowledge of the skills and subject matter that sustained filmmaking, communication and education in Australia during a time when conventional scholarship assumes there was almost no significant filmmaking.Read moreRead less
Still in my mind: Gurindji experience, location and visuality. This project will develop an innovative historical account of the effects of pictorial representation of Aboriginal identity, using visual, ethnographic and archival sources. It will investigate and critique the impact of ethno-centric codification through which Aboriginal peoples have been framed and refracted throughout the 19th century and into the 21st century, from a specific Gurindji standpoint.
Understanding Balinese paintings: collections, narrative, aesthetics and society. This project will use digital tools, fieldwork and formal analysis to link a major collection of Balinese paintings held in Australia to collections elsewhere in the world, and to the current practices of Balinese artists. The project increases the capacity of Australia to analyse the cultures of Indonesia and to contribute to regional heritage preservation. The outcomes will provide a basis for future public exhib ....Understanding Balinese paintings: collections, narrative, aesthetics and society. This project will use digital tools, fieldwork and formal analysis to link a major collection of Balinese paintings held in Australia to collections elsewhere in the world, and to the current practices of Balinese artists. The project increases the capacity of Australia to analyse the cultures of Indonesia and to contribute to regional heritage preservation. The outcomes will provide a basis for future public exhibitions of paintings and web-based resources linking Australian public institutions and Balinese communities.Read moreRead less
Digital Technologies, Mediated Futures: Envisioning Culture in Arnhem Land. This research offers an exciting new way to understand how Aboriginal people are envisioning, and working towards, a culturally viable future for themselves and their children. Digital media technologies allow Yolngu elders to connect with current and future generations in new, but nevertheless, culturally appropriate ways. They allow them to work innovatively to strengthen the social fabric of communities in crisis. ....Digital Technologies, Mediated Futures: Envisioning Culture in Arnhem Land. This research offers an exciting new way to understand how Aboriginal people are envisioning, and working towards, a culturally viable future for themselves and their children. Digital media technologies allow Yolngu elders to connect with current and future generations in new, but nevertheless, culturally appropriate ways. They allow them to work innovatively to strengthen the social fabric of communities in crisis. For mainstream Australian society, this project represents an important opportunity for to learn directly from, and about, indigenous cultures. It offers a significant opportunity to take up the ethical and imaginative challenges of seeing the world from indigenous perspectives. Read moreRead less
Old Atrocities, New Media: Terror Images and the Visual-Military Complex. This research centres on the relations between twenty-first century visual technologies and the age-old practice of the massacre-atrocity. It takes as its major case study the atrocities at the end of the war in Sri Lanka in 2009. The most graphic form of knowledge about these mass deaths and rapes was produced through digitally transmitted visual images. The research asks how new forms of recording and circulating images ....Old Atrocities, New Media: Terror Images and the Visual-Military Complex. This research centres on the relations between twenty-first century visual technologies and the age-old practice of the massacre-atrocity. It takes as its major case study the atrocities at the end of the war in Sri Lanka in 2009. The most graphic form of knowledge about these mass deaths and rapes was produced through digitally transmitted visual images. The research asks how new forms of recording and circulating images of atrocity, whether in the form of trophy photographs or other digital documents, shape the reception of, and responses to, atrocity. These questions are contextualised against a broader examination of the historical and evolving relations between visual media and atrocity images from the Holocaust to Abu Ghraib.Read moreRead less
Avatars and Identities. The avatar, a virtual representation of its user, is the key element of interface technology for everyday computer use in the twenty-first century. While specialist aspects of the avatar have received intensive attention from the technology industries and scholars, the focus of the work to date has been on the technical efficiency of the interface, rather than understanding the full social implications of its use. Through a historical, ethnographic and critical analysis o ....Avatars and Identities. The avatar, a virtual representation of its user, is the key element of interface technology for everyday computer use in the twenty-first century. While specialist aspects of the avatar have received intensive attention from the technology industries and scholars, the focus of the work to date has been on the technical efficiency of the interface, rather than understanding the full social implications of its use. Through a historical, ethnographic and critical analysis of the role of the avatar, in consultation with industry, this project offers a unique opportunity to develop a wider perspective that will contribute to an understanding of the uses and policies for the digital economy.Read moreRead less
Discovery Indigenous Researchers Development - Grant ID: DI100100200
Funder
Australian Research Council
Funding Amount
$177,000.00
Summary
Reversing the gaze: Indigenous perspectives on cultural representation in national museums. Through a focus on new media and digital engagements the project will identify the capacity for Indigenous communities to act as partners in their representation in the national museum space. By contributing an indigenous-centred review of best-practice moments at both a national and international level, the project will deliver modes of engagement that will benefit both Indigenous communities and museu ....Reversing the gaze: Indigenous perspectives on cultural representation in national museums. Through a focus on new media and digital engagements the project will identify the capacity for Indigenous communities to act as partners in their representation in the national museum space. By contributing an indigenous-centred review of best-practice moments at both a national and international level, the project will deliver modes of engagement that will benefit both Indigenous communities and museums engaged in Indigenous cultural representation.Read moreRead less
Representing Kanaks: Generic Variation, Identity, and the Politics of the Everyday Semiotic. The project hypothesizes that representational struggles over indigenous identity are crucially shaped by the range of genres in which identity is asserted. Through the case of Kanaks in New Caledonia, as represented by several everyday genres hitherto neglected by scholarship, the representational politics of indigeneity are interrogated with the aim of demonstrating that Kanak existence is constituted ....Representing Kanaks: Generic Variation, Identity, and the Politics of the Everyday Semiotic. The project hypothesizes that representational struggles over indigenous identity are crucially shaped by the range of genres in which identity is asserted. Through the case of Kanaks in New Caledonia, as represented by several everyday genres hitherto neglected by scholarship, the representational politics of indigeneity are interrogated with the aim of demonstrating that Kanak existence is constituted in the semiotic detail of everyday generic variation. The project's significance lies in its radical reconception of identity and representational politics: going beyond indigenous versus colonial binaries, it reveals the complexity of day-to-day competition over and consolidation of indigenous identity through representational systems.Read moreRead less
Contact zones: activism, art and media in Italy, 1994-2006. This project will generate knowledge about recent activism, social change and contemporary art practices in Italy; it will add to Australia's international reputation as a centre of research on contemporary Italy; it will assist in facilitating cultural relations between Australia and Italy as already established in cultural and scientific bilateral agreements.
Spectopolis: Theme Park Worlds, their History and Significance for Contemporary Culture. This project will outline the historical development of the theme park, evaluating the significance of the growing interest in theme park cultures in recent years. Parallels that exist between C17th and late C20th/C21st entertainment spectacles will be explored, including the formal connections that exist between theme parks and C17th aristocratic gardens, villas, and theatrical spectacles. In comparing both ....Spectopolis: Theme Park Worlds, their History and Significance for Contemporary Culture. This project will outline the historical development of the theme park, evaluating the significance of the growing interest in theme park cultures in recent years. Parallels that exist between C17th and late C20th/C21st entertainment spectacles will be explored, including the formal connections that exist between theme parks and C17th aristocratic gardens, villas, and theatrical spectacles. In comparing both eras, the project will theoretically evaluate the cultural significance of our current fascination with spectacle environments. In comparing the C17th and late C20th/C21st attraction with such spectacular spaces, it is proposed that we are witnessing a return to a culture of the baroque.Read moreRead less