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Socio-Economic Objective : Visual Communication
Research Topic : ETHICS
Australian State/Territory : NSW
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  • Funded Activity

    ARC Future Fellowships - Grant ID: FT130100334

    Funder
    Australian Research Council
    Funding Amount
    $580,878.00
    Summary
    Cinematic Ethics: Exploring Ethical Experience through Film. This project develops a new interdisciplinary framework for understanding cinema’s unique power to evoke ethical experience via audiovisual means. Combining philosophy with film analysis, it moves beyond the prevalent view that cinema merely illustrates moral situations, and challenges the long-held suspicion toward film’s manipulative aesthetic power. This project proposes instead a model of cinematic ethics: an investigation of how c .... Cinematic Ethics: Exploring Ethical Experience through Film. This project develops a new interdisciplinary framework for understanding cinema’s unique power to evoke ethical experience via audiovisual means. Combining philosophy with film analysis, it moves beyond the prevalent view that cinema merely illustrates moral situations, and challenges the long-held suspicion toward film’s manipulative aesthetic power. This project proposes instead a model of cinematic ethics: an investigation of how cinema evokes ethical experience through emotional, cognitive, and aesthetic engagement. This project will advance the emerging interdisciplinary field of film-philosophy by highlighting film’s under-recognised potential to enhance ethical understanding, and thus to promote greater social awareness and intercultural communication.
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    Funded Activity

    Discovery Projects - Grant ID: DP0987707

    Funder
    Australian Research Council
    Funding Amount
    $194,000.00
    Summary
    The Business of Art: Corporate Interventions into the Production, Display, and Reception of the Visual Arts. The corporate presence in the Australian art world has increased exponentially over the past decade, resulting in a redefinition of the arts as an industry not to be subsidised but marketed. This project's analysis of the art historical implications of this corporate presence and an assessment of the aesthetic impact of increased corporate interventions into the production and display of .... The Business of Art: Corporate Interventions into the Production, Display, and Reception of the Visual Arts. The corporate presence in the Australian art world has increased exponentially over the past decade, resulting in a redefinition of the arts as an industry not to be subsidised but marketed. This project's analysis of the art historical implications of this corporate presence and an assessment of the aesthetic impact of increased corporate interventions into the production and display of art is of vital significance to the future of Australia, not only in terms of the quality and type of art that is produced by Australian artists, but also to the way that Australians understand the role of the visual arts in their society.
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    Funded Activity

    Discovery Early Career Researcher Award - Grant ID: DE140100878

    Funder
    Australian Research Council
    Funding Amount
    $394,605.00
    Summary
    The Other War: An investigation via documentary film into images of race and otherness in WW1 and their implications for Indigenous communities today. . In 1915, German scientists began an immense task of wartime science designed to categorise 'the peoples of the world'. This ideological experiment involved Indigenous Australian and Pacific prisoners of war, and paved the way to post-war Nazi racial ideology. The sound, image and other cultural records captured during this wartime experiment .... The Other War: An investigation via documentary film into images of race and otherness in WW1 and their implications for Indigenous communities today. . In 1915, German scientists began an immense task of wartime science designed to categorise 'the peoples of the world'. This ideological experiment involved Indigenous Australian and Pacific prisoners of war, and paved the way to post-war Nazi racial ideology. The sound, image and other cultural records captured during this wartime experiment are now listed by the United Nations Educational, Scientific and Cultural Organisation. This project will use documentary film and will apply innovative and socially inclusive 'reconciling' research methodologies to repatriate significant Australian cultural records from this World War I prisoners of war archive. It will document a post-colonial chapter in the aesthetics of 'otherness', and describe an important history of indigenous involvement in the foundational Australian narrative of World War I conflict.
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