The Emergence, Development and Transformation of Media Ratings Conventions and Methodologies in Australia, 1930-2008. The media industry depends upon ratings. However, the ability of audience measurement companies to predict audience behaviour is in decline. Investigation into the conventions that govern the relationship between measurement and markets is now urgent. This project provides the first historical study of media ratings in Australia and internationally, the companies providing rat ....The Emergence, Development and Transformation of Media Ratings Conventions and Methodologies in Australia, 1930-2008. The media industry depends upon ratings. However, the ability of audience measurement companies to predict audience behaviour is in decline. Investigation into the conventions that govern the relationship between measurement and markets is now urgent. This project provides the first historical study of media ratings in Australia and internationally, the companies providing ratings and the media organisations using them. The study provides a detailed analysis of the emergence and transformation of media ratings in order to assist in the development of new practices and to promote better public and media industry understanding of the character, productivity, limits and challenges facing ratings conventions.
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Old Atrocities, New Media: Terror Images and the Visual-Military Complex. This research centres on the relations between twenty-first century visual technologies and the age-old practice of the massacre-atrocity. It takes as its major case study the atrocities at the end of the war in Sri Lanka in 2009. The most graphic form of knowledge about these mass deaths and rapes was produced through digitally transmitted visual images. The research asks how new forms of recording and circulating images ....Old Atrocities, New Media: Terror Images and the Visual-Military Complex. This research centres on the relations between twenty-first century visual technologies and the age-old practice of the massacre-atrocity. It takes as its major case study the atrocities at the end of the war in Sri Lanka in 2009. The most graphic form of knowledge about these mass deaths and rapes was produced through digitally transmitted visual images. The research asks how new forms of recording and circulating images of atrocity, whether in the form of trophy photographs or other digital documents, shape the reception of, and responses to, atrocity. These questions are contextualised against a broader examination of the historical and evolving relations between visual media and atrocity images from the Holocaust to Abu Ghraib.Read moreRead less