Cinematic Ethics: Exploring Ethical Experience through Film. This project develops a new interdisciplinary framework for understanding cinema’s unique power to evoke ethical experience via audiovisual means. Combining philosophy with film analysis, it moves beyond the prevalent view that cinema merely illustrates moral situations, and challenges the long-held suspicion toward film’s manipulative aesthetic power. This project proposes instead a model of cinematic ethics: an investigation of how c ....Cinematic Ethics: Exploring Ethical Experience through Film. This project develops a new interdisciplinary framework for understanding cinema’s unique power to evoke ethical experience via audiovisual means. Combining philosophy with film analysis, it moves beyond the prevalent view that cinema merely illustrates moral situations, and challenges the long-held suspicion toward film’s manipulative aesthetic power. This project proposes instead a model of cinematic ethics: an investigation of how cinema evokes ethical experience through emotional, cognitive, and aesthetic engagement. This project will advance the emerging interdisciplinary field of film-philosophy by highlighting film’s under-recognised potential to enhance ethical understanding, and thus to promote greater social awareness and intercultural communication.Read moreRead less
Discovery Early Career Researcher Award - Grant ID: DE190101043
Funder
Australian Research Council
Funding Amount
$404,956.00
Summary
Tackling facial prejudice. This project aims to investigate individual differences in facial prejudice, a powerful psychological bias whereby people rely on inaccurate first impressions to guide key decisions, such as whom to trust. Utilising recent advances in electrophysiology, the project will develop a new neural marker of individual differences in facial impressions that lead to prejudice. The project expects to lead to insights into the link between visual perception and social behaviour, ....Tackling facial prejudice. This project aims to investigate individual differences in facial prejudice, a powerful psychological bias whereby people rely on inaccurate first impressions to guide key decisions, such as whom to trust. Utilising recent advances in electrophysiology, the project will develop a new neural marker of individual differences in facial impressions that lead to prejudice. The project expects to lead to insights into the link between visual perception and social behaviour, and to develop strategies to reduce facial prejudice given the pervasive influence it has on everyday life.Read moreRead less
Who may judge a book by its cover? This project aims to build a model of how and why people vary in their impressions of others and in the accuracy of these impressions. People readily form impressions of others from their faces and these impressions influence crucial decisions: election results, court case outcomes and partner choices. To build this model, the project will apply twin data and construct a psychometric test to measure variation in facial impressions. The research is expected to l ....Who may judge a book by its cover? This project aims to build a model of how and why people vary in their impressions of others and in the accuracy of these impressions. People readily form impressions of others from their faces and these impressions influence crucial decisions: election results, court case outcomes and partner choices. To build this model, the project will apply twin data and construct a psychometric test to measure variation in facial impressions. The research is expected to lead to insights into this aspect of social perception, and to identify the sources of atypical or inaccurate facial judgements. This has applications in health contexts (to identify social impairment) and in security contexts (for personnel selection).Read moreRead less
Linkage Infrastructure, Equipment And Facilities - Grant ID: LE0668448
Funder
Australian Research Council
Funding Amount
$150,000.00
Summary
See Hear! Multimodal Recording and Analysis Facility. High resolution recording and analysis will exploit the full potential of motion capture with progress towards automatic recognition of gesture and, eventually, real-time systems. Automatic tracking and recognition systems are in high demand and the interlacing of data from multiple modes is now computationally achievable. SeeHear! will be coded using techniques in multimodal fusion - tracking of bodies will be enhanced by locating and recogn ....See Hear! Multimodal Recording and Analysis Facility. High resolution recording and analysis will exploit the full potential of motion capture with progress towards automatic recognition of gesture and, eventually, real-time systems. Automatic tracking and recognition systems are in high demand and the interlacing of data from multiple modes is now computationally achievable. SeeHear! will be coded using techniques in multimodal fusion - tracking of bodies will be enhanced by locating and recognizing facial features, and a learning algorithm used to classify gesture from patterns of force and physiological response. In the future, full interactivity will be achieved by interconnecting visual and auditory data with a flow on to applications in the performing arts, rehabilitation and security.Read moreRead less
Digital Technologies, Mediated Futures: Envisioning Culture in Arnhem Land. This research offers an exciting new way to understand how Aboriginal people are envisioning, and working towards, a culturally viable future for themselves and their children. Digital media technologies allow Yolngu elders to connect with current and future generations in new, but nevertheless, culturally appropriate ways. They allow them to work innovatively to strengthen the social fabric of communities in crisis. ....Digital Technologies, Mediated Futures: Envisioning Culture in Arnhem Land. This research offers an exciting new way to understand how Aboriginal people are envisioning, and working towards, a culturally viable future for themselves and their children. Digital media technologies allow Yolngu elders to connect with current and future generations in new, but nevertheless, culturally appropriate ways. They allow them to work innovatively to strengthen the social fabric of communities in crisis. For mainstream Australian society, this project represents an important opportunity for to learn directly from, and about, indigenous cultures. It offers a significant opportunity to take up the ethical and imaginative challenges of seeing the world from indigenous perspectives. Read moreRead less
The Internationalisation Of Charlie Chaplin's Tramp. This project is a cross-cultural and interdisciplinary study of the multifarious reincarnations of Charlie Chaplin's The Tramp across the world's film, theatre, television and advertising industries over the last nine decades. The project examines the appeal of Chaplin's Tramp in different languages and cultures, and the ways in which the figure has been adapted, translated, reconfigured and indigenised for local audiences and their individu ....The Internationalisation Of Charlie Chaplin's Tramp. This project is a cross-cultural and interdisciplinary study of the multifarious reincarnations of Charlie Chaplin's The Tramp across the world's film, theatre, television and advertising industries over the last nine decades. The project examines the appeal of Chaplin's Tramp in different languages and cultures, and the ways in which the figure has been adapted, translated, reconfigured and indigenised for local audiences and their individual contexts and traditions. The Internationalisation Of Chaplin's Tramp draws on theoretical perspectives and methodologies from screen studies, history, the visual arts, anthropology and cultural studies and the writing and production practices of documentary film.Read moreRead less
Visual Research in Social Aesthetics. Despite a few pioneering efforts beginning in the 1930s, visual anthropology (like anthropology itself) has largely confined its interest in aesthetics to studies of indigenous art. It has focused instead on technology, religion, economics, social structure, politics and ideology as the dominant forces in society. I believe this has limited the potential of visual anthropology, which is in fact ideally suited to studying the broader role of aesthetics in h ....Visual Research in Social Aesthetics. Despite a few pioneering efforts beginning in the 1930s, visual anthropology (like anthropology itself) has largely confined its interest in aesthetics to studies of indigenous art. It has focused instead on technology, religion, economics, social structure, politics and ideology as the dominant forces in society. I believe this has limited the potential of visual anthropology, which is in fact ideally suited to studying the broader role of aesthetics in human societies. The aim of this research is to examine how a reconsideration of the aesthetics of everyday life might form the basis for a revitalised visual anthropology.
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Filters reveal what flicker conceals: temporal processing in the human visual system. I have recently discovered a new form of camouflage using 10Hz luminance flicker. This project will quantify this effect and examine the extent to which it generalises across colour and spatial dimensions and to video sequences depicting natural scenes. This information is expected to provide foundational information to technologies relating to national security that rely on visual concealment. This research wi ....Filters reveal what flicker conceals: temporal processing in the human visual system. I have recently discovered a new form of camouflage using 10Hz luminance flicker. This project will quantify this effect and examine the extent to which it generalises across colour and spatial dimensions and to video sequences depicting natural scenes. This information is expected to provide foundational information to technologies relating to national security that rely on visual concealment. This research will examine the extent to which filtering out these camouflaging frequencies enhances our sensitivity to low temporal frequency information. This decamouflaging aspect of my research is expected to improve the clarity of digital video-based technologies including ultrasound, educational, info-tainment and defence applicationsRead moreRead less
Indigenous Knowledge and Western Science: A comparative analysis. This partnership offers a unique opportunity to bring together anthropologists, educationlists, museum curators and Indigenous communities to research ways of incorporating Indigenous knowledge into school and museum education programs. The project uses the expertise of the partners to analyse the process of inclusion from the perspective of cross-cultural discourse. The research will enable complex conceptual and ethical issues t ....Indigenous Knowledge and Western Science: A comparative analysis. This partnership offers a unique opportunity to bring together anthropologists, educationlists, museum curators and Indigenous communities to research ways of incorporating Indigenous knowledge into school and museum education programs. The project uses the expertise of the partners to analyse the process of inclusion from the perspective of cross-cultural discourse. The research will enable complex conceptual and ethical issues to be addressed that will enable an extended and productive exchange between Indigenous communities and the general educational sector. The outcomes will include refereed publications and works in new media.Read moreRead less
The Spatial Impact of Digital Technology on Contemporary Art and New Art Institutions. Our aim is to explore the impact of digital technology on the production and display of contemporary art. Our focus is the spatial formation of the art institution at a time of historic transition, as object based collections are joined by new forms of technological imagery. We propose a distinct interdisciplinary methodology using spatial analysis derived from theories of contemporary art, new media theory an ....The Spatial Impact of Digital Technology on Contemporary Art and New Art Institutions. Our aim is to explore the impact of digital technology on the production and display of contemporary art. Our focus is the spatial formation of the art institution at a time of historic transition, as object based collections are joined by new forms of technological imagery. We propose a distinct interdisciplinary methodology using spatial analysis derived from theories of contemporary art, new media theory and critical social theory. The project's significance lies in developing insights into the new parameters of cultural production and cultural exchange. This will have strategic relevance for analysing the cultural impact of the emergent information society.Read moreRead less