Creative nation: writers and writing in the new media arts. This project will map an important moment of cultural transition in Australian writing as it begins to engage fully with new electronic forms. It will provide an important resource for understanding the work of writers as producers of novelty and innovation at the cutting edge of cultural and technological change.
Special Research Initiatives - Grant ID: SR200200003
Funder
Australian Research Council
Funding Amount
$227,131.00
Summary
The evolution of disability arts in Australia. This project aims to create the first archive documenting, analysing and theorising disability arts in Australia. Australian disability arts is recognised globally for its innovation and impact. However, the historical legacy this celebrated contemporary work builds on is largely undocumented. This project aims to address this gap by studying archival records, conducting oral history interviews, and then co-designing a disability arts archive with a ....The evolution of disability arts in Australia. This project aims to create the first archive documenting, analysing and theorising disability arts in Australia. Australian disability arts is recognised globally for its innovation and impact. However, the historical legacy this celebrated contemporary work builds on is largely undocumented. This project aims to address this gap by studying archival records, conducting oral history interviews, and then co-designing a disability arts archive with artists and other stakeholders. It should benefit scholars, arts organisations, artists and government by creating a comprehensive, curated, culturally respectful record to inform present and future policy initiatives designed to make the arts industry more inclusive of people with disabilities. Read moreRead less
Precarious Movements: Choreography and the Museum. This project aims to interrogate the relationship between dance and visual art practices and institutions since the turn of the 21st century, developing solutions for emerging and associated challenges for artists and art workers. As a contemporary art form, dance innovates our museums and galleries by foregrounding challenging issues such as the dematerialization of art, the nature of creative labor, digital archives, experience as economy, and ....Precarious Movements: Choreography and the Museum. This project aims to interrogate the relationship between dance and visual art practices and institutions since the turn of the 21st century, developing solutions for emerging and associated challenges for artists and art workers. As a contemporary art form, dance innovates our museums and galleries by foregrounding challenging issues such as the dematerialization of art, the nature of creative labor, digital archives, experience as economy, and participatory aesthetics. Bringing academics, curators, conservators and artists from diverse institutions together, Precarious Movements stages a dialogue between dance artists and art institutions to support exemplary creative arts practices and the production of end user processes and protocols.Read moreRead less
Towards efficient real-time generation of detectable musical macrostructure. Efficient generation of detectable large scale musical structure is needed for commercial audiovisual applications, and for creative music making. But computer mediation of music has focused elsewhere: on sound synthesis and sequencing, editing, mixing and notation. I will apply computational processes like the handling of chunks of genetic information in evolution, to generate large scale musical structure. I will con ....Towards efficient real-time generation of detectable musical macrostructure. Efficient generation of detectable large scale musical structure is needed for commercial audiovisual applications, and for creative music making. But computer mediation of music has focused elsewhere: on sound synthesis and sequencing, editing, mixing and notation. I will apply computational processes like the handling of chunks of genetic information in evolution, to generate large scale musical structure. I will control segmentation; framing of internal segments; spatialisation; and the overlaying of separable musical streams. Expert cognitive assessment of the resultant structures will be investigated, and theories of segmentation, streaming and their relationships with expression and affect developed and tested.Read moreRead less
Discovery Early Career Researcher Award - Grant ID: DE120101192
Funder
Australian Research Council
Funding Amount
$375,000.00
Summary
Australian modernism in compositions by Butterley, Conyngham, Edwards, Meale and Sculthorpe. The years from 1965 to 1973 saw Australia's musical avant-garde flourish, when Australian musical modernism reached its zenith. This project analyses significant works in the Modernist tradition, from some of Australia's best known composers: Nigel Butterley, Barry Conyngham, Ross Edwards, Richard Meale and Peter Sculthorpe.
Mapping Australian Homemade, Amateur & Do-it-Yourself Cultural Economies. This project aims to fill a significant gap in the Australian Government’s National Cultural Policy to ‘Revive’ the cultural sector. The project expects to reveal the ignored sector of non-professional, homemade, amateur and do-it-yourself creativity. Intended outcomes include the first detailed study of the contribution of the 45% of Australians who creatively participate in the arts as producers of forms including poetry ....Mapping Australian Homemade, Amateur & Do-it-Yourself Cultural Economies. This project aims to fill a significant gap in the Australian Government’s National Cultural Policy to ‘Revive’ the cultural sector. The project expects to reveal the ignored sector of non-professional, homemade, amateur and do-it-yourself creativity. Intended outcomes include the first detailed study of the contribution of the 45% of Australians who creatively participate in the arts as producers of forms including poetry, music and fine art and their relationship with the professional cultural and creative industries. Participatory mapping methods that expand new knowledge should provide public benefits in broader recognition and understanding of the value of everyday Australian creativity, seeking to impact democratic policymaking.Read moreRead less
Music production and technology in Australian Film: enabling Australian film to embrace innovation. Given the increasing tendency of the US film industry to co-opt international talent and production bases into its global operation (New Zealand being a prime example), Australian cinema faces mounting hurdles in its quest for national and international success. While education centres such as AFTRS have contributed to excellence in key aspects of local production, Australian film music has been a ....Music production and technology in Australian Film: enabling Australian film to embrace innovation. Given the increasing tendency of the US film industry to co-opt international talent and production bases into its global operation (New Zealand being a prime example), Australian cinema faces mounting hurdles in its quest for national and international success. While education centres such as AFTRS have contributed to excellence in key aspects of local production, Australian film music has been afforded minimal attention. Consequently, music industry training and production often proceeds on the bases of vague assumptions and inefficient precedents. In-depth research is vital to inform national training, production and policy making so as to allow Australian cinema to embrace innovation and engage creatively with the international market.Read moreRead less
Towards the experimental humanities. Growth in the creative arts in universities is demanding the discovery of new methods of research and teaching. This project will develop experimental methods to broaden the humanities so that they can engage with the disciplines that effectively harness human creativity to solve problems.
The Abbey Art Centre: Reassessing postwar Australian art, 1946–1956. In fully documenting Australian artists who worked at the Abbey Arts Centre, London, 1946-56, and the British and European avant-garde in which they mixed, this DP throws light on this historically neglected art colony and recasts conventional understandings of post-WW2 Australian artists’s role in the European postwar period. At a time when this period is being extensively revised within a postcolonial frame, this DP is a time ....The Abbey Art Centre: Reassessing postwar Australian art, 1946–1956. In fully documenting Australian artists who worked at the Abbey Arts Centre, London, 1946-56, and the British and European avant-garde in which they mixed, this DP throws light on this historically neglected art colony and recasts conventional understandings of post-WW2 Australian artists’s role in the European postwar period. At a time when this period is being extensively revised within a postcolonial frame, this DP is a timely contribution to current art historiography that will add significance to Australian art, especially within global institutional contexts. Outcomes include a state gallery exhibition, monograph and catalogue for retail, and potential additions of artworks and archives to national collections.Read moreRead less
You had to be there: contemporary art, craft and the audience. This project addresses issues of audiences and contemporary art and craft,particularly in regional Australia. It breaks new ground in developing models for public galleries in programming, presenting and interpreting contemporary work. A broad audience research framework will be developed as well as innovative strategies for interpretation, drawing on an interdisciplinary theoretical basis which includes media studies, narrative a ....You had to be there: contemporary art, craft and the audience. This project addresses issues of audiences and contemporary art and craft,particularly in regional Australia. It breaks new ground in developing models for public galleries in programming, presenting and interpreting contemporary work. A broad audience research framework will be developed as well as innovative strategies for interpretation, drawing on an interdisciplinary theoretical basis which includes media studies, narrative and visual culture theory. The project will run over three years, a variety of media, including craft, digital media and installation, and dispersed exhibition sites; documentation and dissemination of outcomes, to be developed with the project partners, will address specific industry development needs.Read moreRead less