Avatars and Identities. The avatar, a virtual representation of its user, is the key element of interface technology for everyday computer use in the twenty-first century. While specialist aspects of the avatar have received intensive attention from the technology industries and scholars, the focus of the work to date has been on the technical efficiency of the interface, rather than understanding the full social implications of its use. Through a historical, ethnographic and critical analysis o ....Avatars and Identities. The avatar, a virtual representation of its user, is the key element of interface technology for everyday computer use in the twenty-first century. While specialist aspects of the avatar have received intensive attention from the technology industries and scholars, the focus of the work to date has been on the technical efficiency of the interface, rather than understanding the full social implications of its use. Through a historical, ethnographic and critical analysis of the role of the avatar, in consultation with industry, this project offers a unique opportunity to develop a wider perspective that will contribute to an understanding of the uses and policies for the digital economy.Read moreRead less
Contemporary Australian Photography 1980 to the present. Contemporary Australian art photography has burgeoned over the last 25 years but there is no dedicated book length study in the field. This project will fill this gap by putting Australian photography on an international scholarly agenda, which will generate more scholarship on Australian work. It will have enormous national and community benefit for Australian artists, curators and dealers and the general public who are keenly interested ....Contemporary Australian Photography 1980 to the present. Contemporary Australian art photography has burgeoned over the last 25 years but there is no dedicated book length study in the field. This project will fill this gap by putting Australian photography on an international scholarly agenda, which will generate more scholarship on Australian work. It will have enormous national and community benefit for Australian artists, curators and dealers and the general public who are keenly interested in photography. Read moreRead less
Cinema and the Senses: Temporality of the films of Stanley Kubrick, Terrence Malick and Kumar Shahani. The resulting monograph, articles and seminars will provide new methodologies for Australian cinema studies which has tended to depend on Euro-American models. The project offers three distinct ways of thinking about an ecology of the human senses in and through cinema. The ideas on cine-synaesthesia would link up with current research on this topic in other disciplines such as neurophysiology, ....Cinema and the Senses: Temporality of the films of Stanley Kubrick, Terrence Malick and Kumar Shahani. The resulting monograph, articles and seminars will provide new methodologies for Australian cinema studies which has tended to depend on Euro-American models. The project offers three distinct ways of thinking about an ecology of the human senses in and through cinema. The ideas on cine-synaesthesia would link up with current research on this topic in other disciplines such as neurophysiology, painting and music. The interdisciplinarity of the project offers, to the public sphere of Australian cinema, cross-cultural and cross-media perspectives on film aesthetics. Read moreRead less
Experiencing space: sensory encounters from Baroque Rome to neo-baroque Las Vegas. This project focuses on the historical baroque and the neo-baroque and the relationship between them. The aim of the project is to apply a new methodology to the study of baroque and neo-baroque cultures, one grounded in sensory and spatial approaches. The primary case studies will be the cities of Rome and Las Vegas, two cities that are paradigmatic of the baroque and the neo-baroque. Whereas for theorists such a ....Experiencing space: sensory encounters from Baroque Rome to neo-baroque Las Vegas. This project focuses on the historical baroque and the neo-baroque and the relationship between them. The aim of the project is to apply a new methodology to the study of baroque and neo-baroque cultures, one grounded in sensory and spatial approaches. The primary case studies will be the cities of Rome and Las Vegas, two cities that are paradigmatic of the baroque and the neo-baroque. Whereas for theorists such as Jean Baudrillard argue that Las Vegas embodies the postmodern world in excess, this project will instead argue that it is emblematic of the return of a baroque aesthetics that has been nurtured by consumer culture, multi-media conglomeration and digital technology.Read moreRead less
Genealogies of digital light. The first interdisciplinary account of practice in light technologies, this project will look in detail at the innovation process in the techniques and technologies used in depicting, recording and projecting light. It will explore how contemporary digital media imitate, advance or retreat from the achievements of older techniques and devices; how accidental artefacts of specific media become desirable outcomes in others; and how these past processes impact on desig ....Genealogies of digital light. The first interdisciplinary account of practice in light technologies, this project will look in detail at the innovation process in the techniques and technologies used in depicting, recording and projecting light. It will explore how contemporary digital media imitate, advance or retreat from the achievements of older techniques and devices; how accidental artefacts of specific media become desirable outcomes in others; and how these past processes impact on design and innovation of new tools. Outcomes will include print and online publications, a conference and collaboration between three universities.Read moreRead less
A Design History of Australian HIV/AIDS Public Health Campaigns 1983-2004. This project investigates the differing roles of governments and community organisations as influential factors in the formulation of graphic representations which characterise the prevention campaigns used in the HIV/AIDS epidemic in Australia 1983-2004. It explains how graphic representations, functioning as an index of official and public responses to the epidemic, impact on the aesthetic and professional autonomy of t ....A Design History of Australian HIV/AIDS Public Health Campaigns 1983-2004. This project investigates the differing roles of governments and community organisations as influential factors in the formulation of graphic representations which characterise the prevention campaigns used in the HIV/AIDS epidemic in Australia 1983-2004. It explains how graphic representations, functioning as an index of official and public responses to the epidemic, impact on the aesthetic and professional autonomy of the designer. Complimenting existing quantitative assessments this study uses a textual-visual analysis and triangulation method to demonstrate the agency of these institutional constraints placed within the broader range of material forms relating to the campaigns including brochures, posters, and videos.Read moreRead less
Through the Lens: A Cultural Study of Women's Fashion Photography in Australia, 1890 to 2000. This study supports growing academic interests in Australian fashion and provides the nascent fashion industry, and the media, with a cultural and historical context for their current practices. It sets up debate and expands available information about local fashion photography, challenging the assumption that it is solely dependent on overseas ideas and practices. It has the further potential to export ....Through the Lens: A Cultural Study of Women's Fashion Photography in Australia, 1890 to 2000. This study supports growing academic interests in Australian fashion and provides the nascent fashion industry, and the media, with a cultural and historical context for their current practices. It sets up debate and expands available information about local fashion photography, challenging the assumption that it is solely dependent on overseas ideas and practices. It has the further potential to export understandings of Australian fashion and its photographic representation, including its creative and aesthetic aspects, and by implication will assist the fashion industry, and the public, develop understanding of its workings.Read moreRead less
The Power of the Image: affect, audience and disturbing imagery. In a period of fear and uncertainty about terrorism and war there is a pressing need to examine the specific contemporary modes of teenagers' engagements with media violence and the ways it contributes to their understanding of violence in the world around them. This project will identify the links young people make between affective and emotional reactions to media imagery, their own values and attitudes about the violence in ever ....The Power of the Image: affect, audience and disturbing imagery. In a period of fear and uncertainty about terrorism and war there is a pressing need to examine the specific contemporary modes of teenagers' engagements with media violence and the ways it contributes to their understanding of violence in the world around them. This project will identify the links young people make between affective and emotional reactions to media imagery, their own values and attitudes about the violence in everyday life (e.g. sexual harassment, bullying, fights at school), and their assessment of their own power and agency. It adds much needed Australian research to a field lacking a distinctive Australian perspective.Read moreRead less
Representing Kanaks: Generic Variation, Identity, and the Politics of the Everyday Semiotic. The project hypothesizes that representational struggles over indigenous identity are crucially shaped by the range of genres in which identity is asserted. Through the case of Kanaks in New Caledonia, as represented by several everyday genres hitherto neglected by scholarship, the representational politics of indigeneity are interrogated with the aim of demonstrating that Kanak existence is constituted ....Representing Kanaks: Generic Variation, Identity, and the Politics of the Everyday Semiotic. The project hypothesizes that representational struggles over indigenous identity are crucially shaped by the range of genres in which identity is asserted. Through the case of Kanaks in New Caledonia, as represented by several everyday genres hitherto neglected by scholarship, the representational politics of indigeneity are interrogated with the aim of demonstrating that Kanak existence is constituted in the semiotic detail of everyday generic variation. The project's significance lies in its radical reconception of identity and representational politics: going beyond indigenous versus colonial binaries, it reveals the complexity of day-to-day competition over and consolidation of indigenous identity through representational systems.Read moreRead less
Aboriginal Femininity and Modern Identity: Gender and Race in the Late Colonial Visual Scene. The project is the first sustained cultural history of Aboriginal femininity in Australian from 1870-1967. It will draw on diverse forms of modern visual culture: painting, black and white drawing, mass commodity spectacle, film and photography, to investigate six modes of production of Aboriginal feminine visibility: the 'primitive' woman in Western exhibiting practices such as colonial museums: the pe ....Aboriginal Femininity and Modern Identity: Gender and Race in the Late Colonial Visual Scene. The project is the first sustained cultural history of Aboriginal femininity in Australian from 1870-1967. It will draw on diverse forms of modern visual culture: painting, black and white drawing, mass commodity spectacle, film and photography, to investigate six modes of production of Aboriginal feminine visibility: the 'primitive' woman in Western exhibiting practices such as colonial museums: the perceived failure of 'Mission Mary' to appear modern; the relation of Aboriginal femininity to imported forms of exoticism; the fetishism of Indigenous women; girl piccaninny kitsch in domestic and tourist ornaments; and the entrance of public Aboriginal women and celebrities into modernity.
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