Exploring Botanic Gardens Herbarium's value, via Environmental Aesthetics. . The project aims to aesthetically redefine engagement with the plant collection at Royal Botanic Gardens Herbarium (RBG) Sydney and to communicate its artistic, cultural and heritage value to the public through a Public Program of creative arts case studies. It's expected that new insights will arise from an environmental art methodology utilising the digitisation of the Herbarium specimens, so that audiences can intera ....Exploring Botanic Gardens Herbarium's value, via Environmental Aesthetics. . The project aims to aesthetically redefine engagement with the plant collection at Royal Botanic Gardens Herbarium (RBG) Sydney and to communicate its artistic, cultural and heritage value to the public through a Public Program of creative arts case studies. It's expected that new insights will arise from an environmental art methodology utilising the digitisation of the Herbarium specimens, so that audiences can interactively experience the plant archive through narratives that activate plants as underpinning ecosystems. Benefits to partners RBG, Bundanon Trust and Open Humanities Press will include the digital expansion of audience engagement with the Herbarium at RBG and Mt Annan and communication of collection’s significance.Read moreRead less
Curating Cities: the social and ecological potential of public art practice. This project researches the contribution of public art to eco-sustainable development, focusing on world’s best practice and potential benefits to Sydney and cities in general. It seeks to establish how the arts can promote environmentally beneficial behaviour change and the development of green infrastructure.
A new theory of Aboriginal art. The paradigms developed by scholars have a huge impact on the value of art. After the Australian artworld repositioned Aboriginal art from the frame of 'primitive art' to that of contemporary art, the price of and market for Aboriginal art increased enormously. However, Aboriginal art failed to penetrate the international contemporary artworld because the paradigms of contemporary art within which it was framed were outmoded. Through examining the production of Ab ....A new theory of Aboriginal art. The paradigms developed by scholars have a huge impact on the value of art. After the Australian artworld repositioned Aboriginal art from the frame of 'primitive art' to that of contemporary art, the price of and market for Aboriginal art increased enormously. However, Aboriginal art failed to penetrate the international contemporary artworld because the paradigms of contemporary art within which it was framed were outmoded. Through examining the production of Aboriginal art from the perspectives of its producers and recent globalised contemporary art practices, this project aims to develop a new theory of Aboriginal art that is more aligned with the thinking of current curators who set the agenda at the upper end of the market.Read moreRead less
The Business of Art: Corporate Interventions into the Production, Display, and Reception of the Visual Arts. The corporate presence in the Australian art world has increased exponentially over the past decade, resulting in a redefinition of the arts as an industry not to be subsidised but marketed. This project's analysis of the art historical implications of this corporate presence and an assessment of the aesthetic impact of increased corporate interventions into the production and display of ....The Business of Art: Corporate Interventions into the Production, Display, and Reception of the Visual Arts. The corporate presence in the Australian art world has increased exponentially over the past decade, resulting in a redefinition of the arts as an industry not to be subsidised but marketed. This project's analysis of the art historical implications of this corporate presence and an assessment of the aesthetic impact of increased corporate interventions into the production and display of art is of vital significance to the future of Australia, not only in terms of the quality and type of art that is produced by Australian artists, but also to the way that Australians understand the role of the visual arts in their society.Read moreRead less
Understanding Balinese paintings: collections, narrative, aesthetics and society. This project will use digital tools, fieldwork and formal analysis to link a major collection of Balinese paintings held in Australia to collections elsewhere in the world, and to the current practices of Balinese artists. The project increases the capacity of Australia to analyse the cultures of Indonesia and to contribute to regional heritage preservation. The outcomes will provide a basis for future public exhib ....Understanding Balinese paintings: collections, narrative, aesthetics and society. This project will use digital tools, fieldwork and formal analysis to link a major collection of Balinese paintings held in Australia to collections elsewhere in the world, and to the current practices of Balinese artists. The project increases the capacity of Australia to analyse the cultures of Indonesia and to contribute to regional heritage preservation. The outcomes will provide a basis for future public exhibitions of paintings and web-based resources linking Australian public institutions and Balinese communities.Read moreRead less
Art and Amusement in Eighteenth-Century France. My aim is to produce an interpretive study analysing the role of amusement within the visual culture of eighteenth-century France. By reconnecting the aesthetic theory of the Enlightenment with the diverting qualities of rococo art, the project demonstrates the serious side of play during the Old Regime. Not only will the project provide fresh critical perspectives on French art, the Enlightenment and the origins of aesthetic theory; it will also o ....Art and Amusement in Eighteenth-Century France. My aim is to produce an interpretive study analysing the role of amusement within the visual culture of eighteenth-century France. By reconnecting the aesthetic theory of the Enlightenment with the diverting qualities of rococo art, the project demonstrates the serious side of play during the Old Regime. Not only will the project provide fresh critical perspectives on French art, the Enlightenment and the origins of aesthetic theory; it will also offer a new model for recovering processes of reception and indicate how visual experiences contribute to the production of culture.Read moreRead less
Orientalism of the Mediterranean shore: art and place from Tunis to Marseille. This project focuses on new ways of thinking about how art links North Africa and Europe. Researching the images of Tunis, Algiers, Granada and Marseille in painting and photography (between 1880-1950) will lead to high-level outputs; beginning with a 2014 exhibition on Wassily Kandinsky and Gabriele Münter as Orientalists.
Linkage Infrastructure, Equipment And Facilities - Grant ID: LE140100120
Funder
Australian Research Council
Funding Amount
$190,000.00
Summary
Design & Art Australia Online Research Tool: enabling next generation e-Research in Australia's visual and design cultures. Design and art Australia online research tool: enabling next generation e-Research in Australia's visual and design cultures: This project builds on the recent and highly successful transformation of Design and Art Australia Online (DAAO). As DAAO increases its information base through its automated harvest facilities (LIEF2012) and draws more active engagement from researc ....Design & Art Australia Online Research Tool: enabling next generation e-Research in Australia's visual and design cultures. Design and art Australia online research tool: enabling next generation e-Research in Australia's visual and design cultures: This project builds on the recent and highly successful transformation of Design and Art Australia Online (DAAO). As DAAO increases its information base through its automated harvest facilities (LIEF2012) and draws more active engagement from researchers, new demands are being placed on the facility. Modifications are required to enhance the capabilities of researchers to expand the scope of research facilities offered. This project will refine schema and mappings of events and works to better match researcher queries and enabling data repurposing for visualisation; automate linking facility between established entity links; and develop researcher collaboration functionalities.Read moreRead less
Linkage Infrastructure, Equipment And Facilities - Grant ID: LE120100056
Funder
Australian Research Council
Funding Amount
$240,000.00
Summary
Design and Art Australia Online: Sustainable data sharing for Australian researchers and collections. This project will produce a comprehensive and authorative research facility of national and international signi?cance. The enhanced Design and Art Australia Online facility will provide crucial information pertaining to Australia’s art and design heritage that will be open for researchers of all levels, from school students through to higher-education researchers.
Artists as collectors of Islamic Art, 1850-1910. The aim of this project is to generate a new understanding of patterns of collecting and interpreting the arts of the near east through the first cross-cultural comparative study of Ottoman and Orientalist artists as collectors in the 19th century. By mapping transcultural networks of artists, dealers and collectors traversing Ottoman, Russian, Polish, French and British cultures, this study reveals international exchanges that have been occluded ....Artists as collectors of Islamic Art, 1850-1910. The aim of this project is to generate a new understanding of patterns of collecting and interpreting the arts of the near east through the first cross-cultural comparative study of Ottoman and Orientalist artists as collectors in the 19th century. By mapping transcultural networks of artists, dealers and collectors traversing Ottoman, Russian, Polish, French and British cultures, this study reveals international exchanges that have been occluded by studies of Orientalism narrowly focused around single national histories. This project reveals the myriad ways treasures from the Islamic world were being transformed in the 19th century from their prior local religious and cultural functions into exoticism in the West and cultural patrimony in the East.Read moreRead less