Exploring Botanic Gardens Herbarium's value, via Environmental Aesthetics. . The project aims to aesthetically redefine engagement with the plant collection at Royal Botanic Gardens Herbarium (RBG) Sydney and to communicate its artistic, cultural and heritage value to the public through a Public Program of creative arts case studies. It's expected that new insights will arise from an environmental art methodology utilising the digitisation of the Herbarium specimens, so that audiences can intera ....Exploring Botanic Gardens Herbarium's value, via Environmental Aesthetics. . The project aims to aesthetically redefine engagement with the plant collection at Royal Botanic Gardens Herbarium (RBG) Sydney and to communicate its artistic, cultural and heritage value to the public through a Public Program of creative arts case studies. It's expected that new insights will arise from an environmental art methodology utilising the digitisation of the Herbarium specimens, so that audiences can interactively experience the plant archive through narratives that activate plants as underpinning ecosystems. Benefits to partners RBG, Bundanon Trust and Open Humanities Press will include the digital expansion of audience engagement with the Herbarium at RBG and Mt Annan and communication of collection’s significance.Read moreRead less
Curating Cities: the social and ecological potential of public art practice. This project researches the contribution of public art to eco-sustainable development, focusing on world’s best practice and potential benefits to Sydney and cities in general. It seeks to establish how the arts can promote environmentally beneficial behaviour change and the development of green infrastructure.
“The Complete Craze”: Women’s Photography and Colonial Modernity in the Asia-Pacific, 1860-1930. To date there has been no sustained research into the photography produced by women in the Asia-Pacific region in the late colonial era even though much of it was aesthetically sophisticated and innovative. Combining historical research with postcolonial and gender theory, this project critically examines a large body of images by women photographers working across the region. It identifies the facto ....“The Complete Craze”: Women’s Photography and Colonial Modernity in the Asia-Pacific, 1860-1930. To date there has been no sustained research into the photography produced by women in the Asia-Pacific region in the late colonial era even though much of it was aesthetically sophisticated and innovative. Combining historical research with postcolonial and gender theory, this project critically examines a large body of images by women photographers working across the region. It identifies the factors enabling these women to be examined as a group, investigates their subject matter, techniques and styles, and establishes what was exciting and new, as well as conventional, about their methods. It also shows how their artworks both reflected and contributed to the region’s burgeoning modernity. Read moreRead less
A new theory of Aboriginal art. The paradigms developed by scholars have a huge impact on the value of art. After the Australian artworld repositioned Aboriginal art from the frame of 'primitive art' to that of contemporary art, the price of and market for Aboriginal art increased enormously. However, Aboriginal art failed to penetrate the international contemporary artworld because the paradigms of contemporary art within which it was framed were outmoded. Through examining the production of Ab ....A new theory of Aboriginal art. The paradigms developed by scholars have a huge impact on the value of art. After the Australian artworld repositioned Aboriginal art from the frame of 'primitive art' to that of contemporary art, the price of and market for Aboriginal art increased enormously. However, Aboriginal art failed to penetrate the international contemporary artworld because the paradigms of contemporary art within which it was framed were outmoded. Through examining the production of Aboriginal art from the perspectives of its producers and recent globalised contemporary art practices, this project aims to develop a new theory of Aboriginal art that is more aligned with the thinking of current curators who set the agenda at the upper end of the market.Read moreRead less
The Business of Art: Corporate Interventions into the Production, Display, and Reception of the Visual Arts. The corporate presence in the Australian art world has increased exponentially over the past decade, resulting in a redefinition of the arts as an industry not to be subsidised but marketed. This project's analysis of the art historical implications of this corporate presence and an assessment of the aesthetic impact of increased corporate interventions into the production and display of ....The Business of Art: Corporate Interventions into the Production, Display, and Reception of the Visual Arts. The corporate presence in the Australian art world has increased exponentially over the past decade, resulting in a redefinition of the arts as an industry not to be subsidised but marketed. This project's analysis of the art historical implications of this corporate presence and an assessment of the aesthetic impact of increased corporate interventions into the production and display of art is of vital significance to the future of Australia, not only in terms of the quality and type of art that is produced by Australian artists, but also to the way that Australians understand the role of the visual arts in their society.Read moreRead less
Representations of the Backs of Paintings: Analysis and History. Australia's regional status within the Western tradition of painting makes it a highly significant test case within the geographical criteria of the study. The paradoxical effects of closeness and distance in representations of the backs of paintings made its use here surprisingly frequent and strikingly ambivalent. Some painters obsessively repeat the motif as if to overcome remoteness from the tradition of Velásquez. Others emplo ....Representations of the Backs of Paintings: Analysis and History. Australia's regional status within the Western tradition of painting makes it a highly significant test case within the geographical criteria of the study. The paradoxical effects of closeness and distance in representations of the backs of paintings made its use here surprisingly frequent and strikingly ambivalent. Some painters obsessively repeat the motif as if to overcome remoteness from the tradition of Velásquez. Others employ it in fundamental questioning the institution of Western painting. Study of this dichotomy will improve understanding of Australian concepts of remoteness in space and time relative to other cultures. Interpretations will also enhance visual and verbal communication between art communities here and overseas. Read moreRead less
Understanding Balinese paintings: collections, narrative, aesthetics and society. This project will use digital tools, fieldwork and formal analysis to link a major collection of Balinese paintings held in Australia to collections elsewhere in the world, and to the current practices of Balinese artists. The project increases the capacity of Australia to analyse the cultures of Indonesia and to contribute to regional heritage preservation. The outcomes will provide a basis for future public exhib ....Understanding Balinese paintings: collections, narrative, aesthetics and society. This project will use digital tools, fieldwork and formal analysis to link a major collection of Balinese paintings held in Australia to collections elsewhere in the world, and to the current practices of Balinese artists. The project increases the capacity of Australia to analyse the cultures of Indonesia and to contribute to regional heritage preservation. The outcomes will provide a basis for future public exhibitions of paintings and web-based resources linking Australian public institutions and Balinese communities.Read moreRead less
Art and Amusement in Eighteenth-Century France. My aim is to produce an interpretive study analysing the role of amusement within the visual culture of eighteenth-century France. By reconnecting the aesthetic theory of the Enlightenment with the diverting qualities of rococo art, the project demonstrates the serious side of play during the Old Regime. Not only will the project provide fresh critical perspectives on French art, the Enlightenment and the origins of aesthetic theory; it will also o ....Art and Amusement in Eighteenth-Century France. My aim is to produce an interpretive study analysing the role of amusement within the visual culture of eighteenth-century France. By reconnecting the aesthetic theory of the Enlightenment with the diverting qualities of rococo art, the project demonstrates the serious side of play during the Old Regime. Not only will the project provide fresh critical perspectives on French art, the Enlightenment and the origins of aesthetic theory; it will also offer a new model for recovering processes of reception and indicate how visual experiences contribute to the production of culture.Read moreRead less
In Public / In Focus: Photography, Testimony and the Public Sphere. Photography plays an important but little understood role in the public sphere. Photographs invite viewers to identify with stories, events and others, and the ease with which photographs circulate in print and online makes them ideal for fostering discourse and debate. However, the increasing focus on testimony and witness in contemporary culture has recently altered the way that photography operates in public and raised some s ....In Public / In Focus: Photography, Testimony and the Public Sphere. Photography plays an important but little understood role in the public sphere. Photographs invite viewers to identify with stories, events and others, and the ease with which photographs circulate in print and online makes them ideal for fostering discourse and debate. However, the increasing focus on testimony and witness in contemporary culture has recently altered the way that photography operates in public and raised some significant problems for photography historians regarding the representation of events, others and the past. This project will respond to these problems, and produce a new understanding of the historical, social, cultural and political links between photography and the public sphere today.Read moreRead less
Discovery Early Career Researcher Award - Grant ID: DE190100578
Funder
Australian Research Council
Funding Amount
$413,745.00
Summary
Art and cultural diplomacy. This project aims to investigate questions about cross-cultural communication through the circulation of art objects across the globe. Focusing on early modern diplomatic gifts that are now housed in museums around the world, this project examines the preservation and display of material culture in contemporary museology. Expected outcomes of this project include a better understanding of the role of art in cultural diplomacy, new digital methods for the analysis of c ....Art and cultural diplomacy. This project aims to investigate questions about cross-cultural communication through the circulation of art objects across the globe. Focusing on early modern diplomatic gifts that are now housed in museums around the world, this project examines the preservation and display of material culture in contemporary museology. Expected outcomes of this project include a better understanding of the role of art in cultural diplomacy, new digital methods for the analysis of cultural networks, and advanced theories for understanding cultural identity in an increasingly connected world.Read moreRead less